USA
How ‘Whiplash’ Exposes the Cost of Perfection
Damien Chazelle asks us to evaluate the relentless pursuit of perfection in his jazz drummer fable ‘Whiplash’, now 10 years old. Film essay by Sadbh Boylan.
Read More‘Ed Wood’ at 30 – Review
Loving artist portrait ‘Ed Wood’ (1994), from director Tim Burton and starring Johnny Depp and Martin Landau, isn’t deep, but there are plenty of ways to enjoy. Review by Sam Sewell-Peterson.
Read MoreJoker: Folie à Deux (2024) Review
Todd Phillips DC movie ‘Joker: Folie à Deux’ (2024), starring Joaquin Phoenix and Lady Gaga, is pulled in too many directions. It is boring. Review by Joseph Wade.
Read MoreQuantity is King: How Tarantino’s Unique Filmmaking Ethos Reveals the Problem with Hollywood
Quentin Tarantino’s 10-film rule is a lesson in restraint that Hollywood could learn a vital lesson from. Here’s why. Essay by Evan Meikle.
Read MoreA Changing World: Filmmaker Frank Perry’s 1960s
During one of the most significant periods of socio-political change, Frank Perry became a beacon of counter-culture independent filmmaking. Film essay by Lauren Frison.
Read MoreHis Three Daughters (2024) Review
Azazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
Read MoreSing Sing (2024) Review
‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.
Read MoreWhere to Start with Noah Baumbach
Where to begin with the work of 21st century New York filmmaker Noah Baumbach, the writer-director behind ‘Marriage Story’, ‘Frances Ha’ and ‘Barbie’. Article by Joseph Wade.
Read MoreAfrAId (2024) Review
Ironically, 2024 Blumhouse horror ‘AfrAId’, from director Chris Weitz, is so formulaic it wouldn’t be surprising to discover that the entire film was written by AI. Review by Kieran Judge.
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