The First Omen (2024) Review

The First Omen (2024) Review

2024 Omen prequel ‘The First Omen’, from director Arkasha Stevenson, comes via the studio handbook, lacking the originality necessary for success. Review by Kieran Judge.

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Ghostbusters: Frozen Empire (2024) Review

Ghostbusters: Frozen Empire (2024) Review

The latest ‘Ghostbusters’ film, ‘Ghostbuster: Frozen Empire’ starring Paul Rudd, is unconcerned with the original, providing a formulaic blockbuster in its place. Review by Kieran Judge.

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Immaculate (2024) Review

Immaculate (2024) Review

Sydney Sweeney stars as Sister Cecilia in ‘Immaculate’ from director Michael Mohan, a horror that is much better than it has any right to be. Review by Kieran Judge.

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Monster (2023) Review

Monster (2023) Review

‘Monster’, the teacher-student abuse movie from acclaimed director Hirokazu Kore-eda, is nearly in the upper echelon of the director’s spotless filmography. Review by Sam Sewell-Peterson.

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Lisa Frankenstein (2024) Review

Lisa Frankenstein (2024) Review

Kathryn Newton and Cole Sprouse star in the uneven horror-romcom ‘Lisa Frankenstein’, from director Zelda Williams and writer Diablo Cody, a fun and cosmic ride. Review by Margaret Roarty.

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Imaginary (2024) Review

Imaginary (2024) Review

There is, ironically, a significant lack of imagination in 2024 Blumhouse horror ‘Imaginary’, from director Jeff Wadlow. Review by Kieran Judge.

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Damsel (2024) Review

Damsel (2024) Review

Millie Bobby Brown stars in Netflix film ‘Damsel’ (2024), an unimaginative take on the damsel in distress lacking in meaning or purpose. Review by Margaret Roarty.

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Dune: Part Two (2024) Review

Dune: Part Two (2024) Review

‘Dune: Part Two’, starring Timothée Chalamet, Zendaya and more, “feels monumental in the way all blockbusters should”, is among cinema’s greatest sci-fi films. Review by Margaret Roarty.

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Love Lies Bleeding (2024) Review

Love Lies Bleeding (2024) Review

Rose Glass follows up her exceptional horror film ‘Saint Maud’ with Kristen Stewart in small-town USA for ‘Love Lies Bleeding’, the ultimate cult flick. Review by Mark Carnochan.

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