Palme d’Or winning director Hirokazu Koreeda follows up his smash hit ‘Shoplifters’ with ‘The Truth’, his first film made outside of his first language, starring Juliette Binoche and Catherine Deneuve. Sam Sewell-Peterson reviews.
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Bong Joon-ho’s Best Picture Oscar winning feature ‘Parasite’ (2019/2020) makes spectacular use of windows to establish and reinforce themes. Sam Sewell-Peterson explores in this ‘Parasite’ essay.
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Is new Vin Diesel action film worth a shot on VOD? Jacob Davis takes a look in his review of ‘Bloodshot’ (2020) from director David S.F. Wilson.
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‘Expect an unexpectedly satirical edge’ to Hayao Miyazaki’s ‘Porco Rosso’ (1992), a strange diversion from the usual Studio Ghibli output. Review by Sam Sewell-Peterson.
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When plot twists work and when they don’t. Kieran Judge explores one of cinema’s most controversial, discussion stirring narrative elements, ruminating on some of the form’s best and most famous examples.
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Directed by Michael Caton-Jones, ‘Our Ladies’ is a ‘wildly entertaining riot of a movie’. Click to read Sophie Butcher’s review in full.
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Pixar have done it again with the heartwarming, family friendly, adventure film ‘Onward’ starring Chris Pratt and Tom Holland. Review from Charlie Gardiner.
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The Railway Children may have its issues according to Annice White, but it still makes for an enjoyable nostalgia-filled afternoon. Full movie review here.
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Insight into the 2020 Berlinale Golden Bear competition entry ‘Favolacce’, known in English as ‘Bad Tales’, from the press conference by brother directors Damiano and Fabio D’Innocenzo. Report by Rose Dymock.
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