Live-Action Transformers Movies Ranked
Sam Sewell-Peterson
Memories of Murder (2003) Review
‘Memories of Murder’ (2003), from ‘Parasite’ director Bong Joon-ho, has been re-released in 2020. Sam Sewell-Peterson reviews what is one of South Korea’s greatest ever films.
Read MoreThe Assistant (2019/20) Review
Kitty Green’s ‘The Assistant’ (2019/2020) “is a stunning piece of work that unflinchingly tells a story of everyday life and everyday abuse in an industry that isn’t changing fast enough.” Sam Sewell-Peterson reviews.
Read MoreMulan (2020) Review
Disney have released the most expensive film ever made by a female director, with Niki Caro’s reimagining of ‘Mulan’ now on Disney Plus. Full movie review by Sam Sewell-Peterson here.
Read MoreThe Man Who Killed Don Quixote (2018) Review
The world waited 30 years for Terry Gilliam to finally realise his ‘The Man Who Killed Don Quixote’ film, but was it worth the hype? Sam Sewell-Peterson reviews the should-be magnum opus of a great career.
Read MoreThe New Mutants (2020) Review
More than 2 years after it was originally scheduled to be released, Josh Boone X-Men teen horror ‘The New Mutants’ is finally here, and it could be destined for cult status. Sam Sewell-Peterson reviews.
Read MoreWhere to Start with Paul Verhoeven
Paul Verhoeven is an often misunderstood and extremely versatile filmmaker. In this special introductory feature, find out where you can dive into his filmography, courtesy of Sam Sewell-Peterson.
Read MoreHost (2020) Review
Rob Savage directed Zoom video call horror film ‘Host’ (2020) takes “a simple, economic concept and expands it into something chillingly lasting”. Sam Sewell-Peterson reviews.
Read MoreMulan (1998) Review
Released in the midst of the Disney Animation renaissance period, ‘Mulan’ (1998) remains an entry with visual flair and top voice acting performances despite dated aspects. Sam Sewell-Peterson reviews.
Read MoreScoob! (2020) Review
Mystery Inc is back for a new adventure, this time from Warner Animation Group, with ‘Scoob!’ (2020) featuring some expressive animation, a host of star names and one notably bad cameo. Sam Sewell-Peterson reviews.
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