Megalopolis (2024) Review

Megalopolis (2024) Review

Francis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.

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The Substance (2024) Review

The Substance (2024) Review

Coralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.

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Speak No Evil (2024) Review

Speak No Evil (2024) Review

The 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.

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The Critic (2023) Review

The Critic (2023) Review

Ian McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.

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Beetlejuice Beetlejuice (2024) Review

Beetlejuice Beetlejuice (2024) Review

‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.

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Sing Sing (2024) Review

Sing Sing (2024) Review

‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.

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Black Dog (2024) Review

Black Dog (2024) Review

Un Certain Regard winner ‘Black Dog’, from director Hu Guan and starring Eddie Pang, is hugely memorable with meticulously constructed shots. Review by Sam Sewell-Peterson.

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The Crow (2024) Review

The Crow (2024) Review

The 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.

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Alien: Romulus (2024) Review

Alien: Romulus (2024) Review

‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.

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