Madame Web (2024) Review

Madame Web (2024) Review

Sony Spider-Man spin-off ‘Madame Web’, directed by S.J. Clarkson and starring Dakota Johnson, is messy but consistently entertaining. Review by Sam Sewell-Peterson.

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The Color Purple (2023) Review

The Color Purple (2023) Review

Blitz Bazawule’s Oscar-nominated ‘The Color Purple’ is a fresh take on a timeless story, a fitting adaptation of the stage musical. Fantasia Barrino stars. Review by Clotilde Chinnici.

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Argylle (2024) Review

Argylle (2024) Review

Matthew Vaughn’s ‘Argylle’ (2024) is a vaguely entertaining exercise in over-self-indulgence that has some likeable qualities but is massively stretched out. Review by Kieran Judge.

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The Zone of Interest (2023) Review

The Zone of Interest (2023) Review

Are you sitting comfortably? Jonathan Glazer’s Auschwitz film ‘The Zone of Interest’ (2023) is cold, horrifying cinema; a movie of the decade. Review by Joseph Wade.

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Destroy All Neighbors (2024) Review

Destroy All Neighbors (2024) Review

‘Destroy All Neighbors’ is an over-the-top horror-comedy B movie sendup that fails to deliver on its outrageous premise for its duration. Review by Kieran Judge.

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Mean Girls (2024) Review

Mean Girls (2024) Review

The 2024 ‘Mean Girls’ musical is as brittle and fake as plastic, Tina Fey phoning in what could have been a meaningful remake. Review by Margaret Roarty.

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The Beekeeper (2024) Review

The Beekeeper (2024) Review

David Ayer’s action-thriller ‘The Beekeeper’ starring Jason Statham offers 100 minutes of badly shot action sequences and should buzz off. Review by Kieran Judge.

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Good Grief (2023) Review

Good Grief (2023) Review

Daniel Levy’s feature directorial debut ‘Good Grief’ (2024), a Netflix Original, promises a lot but doesn’t reach the heights of ‘Schitt’s Creek’. Review by Martha Lane.

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Night Swim (2024) Review

Night Swim (2024) Review

Blumhouse horror ‘Night Swim’ (2024), starring Wyatt Russell and Kerry Condon, is derivative of ‘The Shining’ and other better horrors. Review by Kieran Judge.

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