Megalopolis (2024) Review
Francis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.
Read MoreFrancis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.
Read MoreCoralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreAzazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
Read MoreThe 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.
Read MoreIan McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.
Read More‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read More‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.
Read MoreUn Certain Regard winner ‘Black Dog’, from director Hu Guan and starring Eddie Pang, is hugely memorable with meticulously constructed shots. Review by Sam Sewell-Peterson.
Read MoreThe 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.
Read More‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.
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