Beetlejuice Beetlejuice (2024) Review
‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read More‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read More‘Sing Sing’, starring Colman Domingo, is an important cinema release on the power of art and creation; one of the year’s most emotive experiences. Review by Joseph Wade.
Read MoreUn Certain Regard winner ‘Black Dog’, from director Hu Guan and starring Eddie Pang, is hugely memorable with meticulously constructed shots. Review by Sam Sewell-Peterson.
Read MoreThe 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.
Read More‘Alien: Romulus’ (2024), Fede Álvarez’s horror-leaning entry into the ‘Alien’ franchise, is beautifully crafted, uncontroversial and simple cinema. Review by Kieran Judge.
Read More‘It Ends with Us’ (2024), Justin Baldoni’s adaptation of Colleen Hoover’s novel, is a stylish melodrama carried by vulnerable performances. Review by Margaret Roarty.
Read More‘Trap’ (2024), from writer-director M. Night Shyamalan, and starring Josh Hartnett as a serial killer trapped at a concert, suffers from a lack of logic and immersion. Review by Joseph Wade.
Read MoreViggo Mortensen waters the bone-dry terrain of the Wild West to create a new hero with his 2024 western ‘The Dead Don’t Hurt’, co-starring Vicky Krieps. Review by Patrick Hayes.
Read MoreWade Wilson and Logan finally make their way into the Marvel Cinematic Universe in Shawn Levy’s ‘Deadpool and Wolverine’ (2024), an affectionate tribute filled with in-jokes.
Read MoreWhen the tornadoes hit, the visuals work wonders in Lee Isaac Chung’s standalone ‘Twister’ sequel ‘Twisters’, starring Daisy Edgar-Jones and Glen Powell. Review by Kieran Judge.
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