Babygirl (2024) Review
Halina Reijn follows up ‘Bodies Bodies Bodies’ with an erotic thriller to indicate the future of the sub-genre, ‘Babygirl’ (2024), starring Nicole Kidman. Review by Margaret Roarty.
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Y2K (2024) Review
SNL alum Kyle Mooney directs and co-writes alternative history teen comedy ‘Y2K’, an enjoyable but unbalanced and forgettable film starring Jaeden Martell, Rachel Zegler. Review by Margaret Roarty.
Read More‘Meet Me in St. Louis’ at 80 – Review
Judy Garland is mesmerising in Vincente Minnelli’s holiday classic, ‘Meet Me in St. Louis’ (1944), a tale that can ease our minds even 80 years on. Review by Margaret Roarty.
Read MoreWicked (2024) Review
The silver screen debut of famed stage musical ‘Wicked’ is lacking visual creativity but features some unforgettable performances and all the songs fans know and love. Review by Margaret Roarty.
Read More‘Interview with the Vampire’ at 30 – Review
‘Interview with the Vampire’ (1994), from director Neil Jordan and writer Anne Rice, remains a milestone in queer cinema and marks a shift in vampire portrayals. Review by Margaret Roarty.
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Woman of the Hour (2023) Review
Anna Kendrick feature directorial debut ‘Woman of the Hour’, conveys the everyday anxiety of moving through the world as anything other than male. Review by Margaret Roarty.
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The Substance (2024) Review
Coralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreThe Company of Wolves (1984) Review
Neil Jordan’s adaptation of Angela Carter’s reworked fairy tale, ‘The Company of Wolves’ (1984) invites us to relive the beauty and horror of growing up. Review by Margaret Roarty.
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August 08, 2024
Cineworld Announce Cinema Closures
The world's 2nd largest cinema chain, Cineworld, have announced that