‘The Age of Innocence’ at 30 – Review
Thirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreThirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreCeline Song offers one of the greatest debut features of all time in ‘Past Lives’ (2023), an achingly beautiful film starring Greta Lee. Review by Mark Carnochan.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreStill relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Read MoreDirector Wes Anderson may have been mimicked on TikTok a lot recently, but his latest film ‘Asteroid City’ is all the proof you need of his genius. Review by Margaret Roarty.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
Read More‘Jurassic Park’ turns 30. Steven Spielberg’s dinosaur classic movie avoids cliché, is driven by character, and is a genre-defining piece even now. Review by Martha Lane.
Read MoreSony Pictures Animation are rewriting the rule book in ‘Spider-Man: Across the Spider-Verse’ (2023), a ginormous swing at something special. Spider-Man doesn’t get better than this.
Read MoreDirector Michael Curtiz and star Errol Flynn bring Robin Hood to life in the greatest ever film adaptation of the British legend, a Technicolor masterpiece. Review by Sam Sewell-Peterson.
Read MoreSoft Colm Bairéad drama ‘The Quiet Girl’ (Irish: ‘An Cailín Ciúin’) is the first Irish film to ever be nominated for International Feature Film at the Oscars. Review by Sam Sewell-Peterson.
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