‘Meet Me in St. Louis’ at 80 – Review
Judy Garland is mesmerising in Vincente Minnelli’s holiday classic, ‘Meet Me in St. Louis’ (1944), a tale that can ease our minds even 80 years on. Review by Margaret Roarty.
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Wicked (2024) Review
The silver screen debut of famed stage musical ‘Wicked’ is lacking visual creativity but features some unforgettable performances and all the songs fans know and love. Review by Margaret Roarty.
Read More‘Interview with the Vampire’ at 30 – Review
‘Interview with the Vampire’ (1994), from director Neil Jordan and writer Anne Rice, remains a milestone in queer cinema and marks a shift in vampire portrayals. Review by Margaret Roarty.
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Woman of the Hour (2023) Review
Anna Kendrick feature directorial debut ‘Woman of the Hour’, conveys the everyday anxiety of moving through the world as anything other than male. Review by Margaret Roarty.
Read MoreThe Substance (2024) Review
Coralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreThe Company of Wolves (1984) Review
Neil Jordan’s adaptation of Angela Carter’s reworked fairy tale, ‘The Company of Wolves’ (1984) invites us to relive the beauty and horror of growing up. Review by Margaret Roarty.
Read MoreBeetlejuice Beetlejuice (2024) Review
‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read MoreThe Crow (2024) Review
The 2024 remake of ‘The Crow’, starring Bill Skarsgård and FKA twigs, directed by Rupert Sanders, is ill-conceived. It should have stayed dead and buried. Review by Margaret Roarty.
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News
August 08, 2024
Cineworld Announce Cinema Closures
The world's 2nd largest cinema chain, Cineworld, have announced that