‘The Notebook’ at 20 – Review
20 years on from the release of Ryan Gosling and Rachel McAdams romance ‘The Notebook’, its pop culture significance is earned, its performances affecting. Review by Margaret Roarty.
Read More20 years on from the release of Ryan Gosling and Rachel McAdams romance ‘The Notebook’, its pop culture significance is earned, its performances affecting. Review by Margaret Roarty.
Read MoreRichard Linklater’s middle entry into his Before Trilogy, ‘Before Sunset’ (2004) is about attempting to live in the present. Here’s how it achieves that. Essay by Kyra Lieberman.
Read MoreDespite glimmers of ‘Marriage Story’, ‘Her’ and ‘Black Mirror’, Garth Davis’ ‘Foe’ (2023) starring Paul Mescal and Saoirse Ronan is severely lacking. Review by Rehana Nurmahi.
Read More“Real life is often nonsensical and absurd – if art can truly mirror that experience, something special can occur.” What abstract ideas in film can teach us about heartbreak. Essay by Sam Florsheim.
Read MoreA love story is made of moments, and in no place are those moments captured better than in Richard Linklater’s Before Trilogy – Sunrise, Sunset, Midnight. Essay on why, by Jack Fanning.
Read MoreFor so long, Hollywood has made it seem like only white, cisgender, non-disabled, heterosexual people fall in love. The films of Alice Wu offer condolence for those outside of that box. Essay by Tina Kakadelis.
Read MoreHow Joachim Trier rewrites the rules of silver screen romance to create one of the best romantic dramas of recent years, ‘The Worst Person in the World’. Essay by Rehana Nurmahi.
Read MoreHow does turn of the century rom-com ‘The Wedding Planner’ hold up at 20? Jennifer Lopez and Matthew McConaughey star, Libby Briggs reviews.
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