Aardman Animation’s 2024 Wallace and Gromit film ‘Vengeance Most Fowl’ is a massively entertaining, frenetic, off-the-wall ride for the whole family. Review by Kieran Judge.
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Skydance Animation’s sophomore release ‘Spellbound’ (2024), on Netflix, features some all-time great animated movie voices and is brilliantly creative. Review by Joseph Wade.
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Michael Washington’s feature directorial debut ‘The Piano Lesson’ (2024) is a family affair starring John David Washington, that doesn’t reach the heights it promises. Review by Martha Lane.
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Benjamin Ree’s feature documentary ‘The Remarkable Life of Ibelin’, is the moving and sensitive telling of Mats Steen’s second life in MMORPG ‘World of Warcraft’. Review by Sam Sewell-Peterson.
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Anna Kendrick feature directorial debut ‘Woman of the Hour’, conveys the everyday anxiety of moving through the world as anything other than male. Review by Margaret Roarty.
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Azazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
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Netflix teen comedy ‘Incoming’ (2024), from Dave and John Chernin (‘It’s Always Sunny in Philadelphia’) settles for a scenario done to death. C-. Review by Martha Lane.
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From some of the creative minds behind ‘Spirited Away’ comes 2024 Netflix anime ‘The Imaginary’, a children’s film for adults that is a little too boring to be a classic. Review by Martha Lane.
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The latest movie from provocative filmmaker Takashi Miike, ‘Lumberjack the Monster’ (2023), seems lacking the shock factor necessary to gain attention. Review by Lauren Frison.
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Richard Linklater film ‘Hit Man’, starring Glen Powell, based on a true story, is a riotous time and equally philosophical, a great symbol of the Summer of Glen. Review by Rehana Nurmahi.
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The world's 2nd largest cinema chain, Cineworld, have announced that