Palme d’Or winning director Hirokazu Koreeda follows up his smash hit ‘Shoplifters’ with ‘The Truth’, his first film made outside of his first language, starring Juliette Binoche and Catherine Deneuve. Sam Sewell-Peterson reviews.
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Bong Joon-ho’s Best Picture Oscar winning feature ‘Parasite’ (2019/2020) makes spectacular use of windows to establish and reinforce themes. Sam Sewell-Peterson explores in this ‘Parasite’ essay.
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‘Expect an unexpectedly satirical edge’ to Hayao Miyazaki’s ‘Porco Rosso’ (1992), a strange diversion from the usual Studio Ghibli output. Review by Sam Sewell-Peterson.
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This is not your great-grandfather’s ‘Invisible Man’, this is Blumhouse and writer-director Leigh Whannell (‘Upgrade’) making the horror film we need right now. Sam Sewell-Peterson reviews.
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From the Ridley Scott’s Director’s Cut of ‘Blade Runner’ to Peter Jackson’s ‘Lord of the Rings’ extended editions and right through to the Snyder Cut of ‘Justice League’ – the history of the director’s cut as presented by Sam Sewell-Peterson.
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Bong Joon-ho feature ‘The Host’ is not only “a smart and entertaining thriller, but a tender family drama and a rip-roaring comedy.” Sam Sewell-Peterson’s review.
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It’s rare to see a film about World War I, but Sam Mendes’ ‘1917’, photographed by Roger Deakins, becomes a pretty fine example of the sub-genre according to Sam Sewell-Peterson.
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‘Knives Out’ (2019), a modern whodunnit from ‘Star Wars: The Last Jedi’ director Rian Johnson, starring an ensemble headlined by Daniel Craig, as reviewed by Sam Sewell-Peterson.
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