‘Ed Wood’ at 30 – Review
Loving artist portrait ‘Ed Wood’ (1994), from director Tim Burton and starring Johnny Depp and Martin Landau, isn’t deep, but there are plenty of ways to enjoy. Review by Sam Sewell-Peterson.
Read MoreLoving artist portrait ‘Ed Wood’ (1994), from director Tim Burton and starring Johnny Depp and Martin Landau, isn’t deep, but there are plenty of ways to enjoy. Review by Sam Sewell-Peterson.
Read MoreFrancis Ford Coppola passion project ‘Megalopolis’ (2024) is a failure. It is a downright unenjoyable vanity project that proves the director’s best days are behind him. Review by Jacob Davis.
Read MoreCoralie Fargeat offers some of the year’s best special effects and sound design in ‘The Substance’ (2024), a film spearheaded by a career-best performance from Demi Moore. Review by Margaret Roarty.
Read MoreAzazel Jacobs family drama ‘His Three Daughters’ (2024), starring Natasha Lyonne, Carrie Coon and Elizabeth Olsen, is a serious and poignant slice of life. Review by Martha Lane.
Read MoreNeil Jordan’s adaptation of Angela Carter’s reworked fairy tale, ‘The Company of Wolves’ (1984) invites us to relive the beauty and horror of growing up. Review by Margaret Roarty.
Read MoreThe 2024 English language remake ‘Speak No Evil’, from director James Watkins and starring James McAvoy, is a chilling reflection on the cost of silence. Review by Jake Fittipaldi.
Read MoreIan McKellen offers perhaps the darkest performance of his film career in Anand Tucker’s British period drama ‘The Critic’, co-starring Gemma Arterton. Review by Kieran Judge.
Read MoreFeature musical ‘West Side Story’, from directors Robert Wise and Jerome Robbins, still encourages us to feel immensely, more than 60 years after its release. Review by Bella Madge.
Read More‘Beetlejuice Beetlejuice’ is more than your typical legacy sequel, it’s a return to form for its director Tim Burton. Michael Keaton, Winona Ryder and Jenna Ortega star. Review by Margaret Roarty.
Read MoreStanley Kubrick’s cold war comedy ‘Dr Strangelove’ (1964) is one of the director’s most lasting projects and features a trio of masterful performances from Peter Sellers. Review by Sam Sewell-Peterson.
Read More