‘Seven Samurai’ at 70 – Review

‘Seven Samurai’ at 70 – Review

Akira Kurosawa samurai film ‘Seven Samurai’ speaks of the reality of the human experience in masterful ways, making it an unmissable experience even 70 years on. Review by Bella Madge.

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The Book of Clarence (2023) Review

The Book of Clarence (2023) Review

Jeymes Samuel follows ‘The Harder They Fall’ with the visually striking but narratively disjointed ‘The Book of Clarence’ starring LaKeith Stanfield. Review by Rehana Nurmahi.

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Rebel Moon – Part Two: The Scargiver (2024) Review

Rebel Moon – Part Two: The Scargiver (2024) Review

Some lasting images contrast with expository dialogue in Zack Snyder’s latest action-space opera ‘Rebel Moon – Part Two: The Scargiver’ (2024). Review by Sam Sewell-Peterson.

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‘Sherlock Jr.’ at 100 – Review

‘Sherlock Jr.’ at 100 – Review

Buster Keaton action-comedy ‘Sherlock Jr.’ (1924) features some of the best action moments in cinema, and is surprisingly sophisticated; an incredible film. Review by Kieran Judge.

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Charade (1963) Review

Charade (1963) Review

‘Charade’ (1963), Stanley Donen’s thriller starring Audrey Hepburn and Cary Grant, has it all: laughter, suspense and a killer romantic pairing. Review by Margaret Roarty.

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The First Omen (2024) Review

The First Omen (2024) Review

2024 Omen prequel ‘The First Omen’, from director Arkasha Stevenson, comes via the studio handbook, lacking the originality necessary for success. Review by Kieran Judge.

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Spellbound (1945) Review

Spellbound (1945) Review

Gregory Peck and Ingrid Bergman star in Alfred Hitchcock’s psychoanalysis thriller ‘Spellbound’, a film with thrilling twists and turns and great performances. Review by Kieran Judge.

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Psycho (1960) Review

Psycho (1960) Review

‘Psycho’ (1960), Alfred Hitchcock’s masterful thriller starring Anthony Perkins, continues to influence writers, directors, and actors to this day. Review by Kieran Judge.

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‘Hellboy’ at 20 – Review

‘Hellboy’ at 20 – Review

20 years on from its release, Guillermo del Toro comic book adaptation ‘Hellboy’ remains a fantastical monster-filled treat to behold. Review by Sam Sewell-Peterson.

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