‘The Age of Innocence’ at 30 – Review
Thirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreThirty years on from the release of Martin Scorsese’s ‘The Age of Innocence’ (1993), the Edith Wharton adaptation deserves a spot among his most accomplished works. Review by Margaret Roarty.
Read MoreCeline Song offers one of the greatest debut features of all time in ‘Past Lives’ (2023), an achingly beautiful film starring Greta Lee. Review by Mark Carnochan.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreDirector Wes Anderson may have been mimicked on TikTok a lot recently, but his latest film ‘Asteroid City’ is all the proof you need of his genius. Review by Margaret Roarty.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
Read MoreSony Pictures Animation are rewriting the rule book in ‘Spider-Man: Across the Spider-Verse’ (2023), a ginormous swing at something special. Spider-Man doesn’t get better than this.
Read MoreWith a twist “so obvious you won’t see it coming”, Alejandro Amenábar’s ‘The Others’ (2001) starring Nicole Kidman is still captivating and frightening today. Review by Margaret Roarty.
Read MoreJordan Peele follows ‘Get Out’ and ‘Us’ with 2022 sci-fi ‘Nope’, starring Daniel Kaluuya, Keke Palmer and Steven Yeun, a film that may prove he’s the next Spielberg. Review by Sam Sewell-Peterson.
Read MoreAlex Garland’s directorial debut ‘Ex Machina’ (2014) is a film that becomes richer and more enthralling upon multiple viewings and through intense debate. Review by Sam Sewell-Peterson.
Read MoreOscar-winning director Chloé Zhao directs Marvel Phase Four entry ‘Eternals’, bringing real stakes and a deeper sense of existentialism to the Marvel Cinematic Universe. Review by Mark Carnochan.
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