Malcolm X, Sam Cooke, Jim Brown and Cassius Clay converse on matters of race and religion in Regina King’s tenderly crafted feature directorial debut, ‘One Night In Miami’ (2020), reviewed by Leoni Horton.
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‘Kajillionaire’, from screenwriter-director Miranda July, starring Evan Rachel Wood, Richard Jenkins, Debra Winger and Gina Rodriguez is “entangled in July’s bohemian-style flair”. Leoni Horton reviews.
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Herself (2020) Review – “There’s a true beauty in art that showcases the power of people and what can be achieved when we come together, a message that is arguably more important than ever in 2020.” Charlie Gardiner.
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Kitty Green’s ‘The Assistant’ (2019/2020) “is a stunning piece of work that unflinchingly tells a story of everyday life and everyday abuse in an industry that isn’t changing fast enough.” Sam Sewell-Peterson reviews.
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By the time of his fifth feature, Wes Anderson had found his feet as an auteur, ‘The Darjeeling Limited’ (2007) becoming one of his best ever according to Sophia Patfield.
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“It’s hard to imagine a film more relevant to the past and present being released this year”. Spike Lee’s Netflix Original exploration of PTSD, race and neo-imperialism reviewed by Jacob Davis.
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Rob Savage directed Zoom video call horror film ‘Host’ (2020) takes “a simple, economic concept and expands it into something chillingly lasting”. Sam Sewell-Peterson reviews.
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“Environmentalism, war and peace, pride and corruption, coming of age and redemption” – Hayao Miyazaki and Studio Ghibli’s animation ‘Howl’s Moving Castle’ (2004) reviewed by Sam Sewell-Peterson.
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Studio Ghibli’s ‘Arrietty’ (‘The Secret World of Arrietty’ in the USA) is a film that captivates you from the first minute to the last. Sam Sewell-Peterson reviews Ghibli’s animated adaptation of “The Borrowers”.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'