Rocks (2020) Review

Rocks (2020) Review

Sarah Gavron drama ‘Rocks’, starring an ensemble of girls headed by Bukky Bakray, is “the most authentic British coming-of-age story in years”. Leoni Horton reviews.

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A Secret Love (2020) Review

A Secret Love (2020) Review

A lesbian couple who kept their relationship secret for 70 years are documented in this 2020 Chris Bolan feature ‘A Secret Love’, reviewed by Annice White.

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12 Hour Shift (2020) Review

12 Hour Shift (2020) Review

’12 Hour Shift’, written and directed by Brea Grant, “embraces its trashier elements”, with its commitment to dark humour and excessive brutality being commendable. Rory Doherty reviews.

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Breach (2020) Review

Breach (2020) Review

2020 sci-fi actioner ‘Breach’, starring Bruce Willis, takes a lot of inspiration from the likes of ‘Alien’, but is a painful and unoriginal genre offering. Kieran Judge reviews.

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Soul (2020) Review

Soul (2020) Review

2020 Pixar release ‘Soul’ is a relatable tale for anyone who has ever lost passion, drive or a sense of purpose, but is one more for the adults than the children. Sam Sewell-Peterson reviews.

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The Midnight Sky (2020) Review

The Midnight Sky (2020) Review

George Clooney directs and stars in Netflix Original film ‘The Midnight Sky’, adapted from Lily Brooks-Dalton’s novel “Good Morning Midnight”. Joseph Wade reviews.

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Wonder Woman 1984 (2020) Review

Wonder Woman 1984 (2020) Review

Following the exhilarating and historic ‘Wonder Woman’, Gal Gadot and Chris Pine return for Patty Jenkins’ much anticipated follow up ‘Wonder Woman 1984’, reviewed here by Leoni Horton.

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The Prom (2020) Review

The Prom (2020) Review

Netflix Original musical ‘The Prom’, starring Meryl Streep, Nicole Kidman and James Corden, and directed by ‘Glee’ creator Ryan Murphy, is hard to care about but looks mightily impressive. Mark Carnochan reviews.

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Ma Rainey’s Black Bottom (2020) Review

Ma Rainey’s Black Bottom (2020) Review

Chadwick Boseman and Viola Davis excel in 2020 Netflix stage drama adaptation ‘Ma Rainey’s Black Bottom’. Full film review by Charlie Gardiner.

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