‘The Hunchback of Notre Dame’ at 25 – Review - 25 years removed from the release of 'The Hunchback of Notre Dame', the Disney Animation remains "among the most satisfying and lasting movies of the Disney Renaissance". Sam Sewell-Peterson reviews.
Cruella (2021) Review - Emma Stone and Emma Thompson can't quite carry a relatively poor script in Disney's latest live-action adaptation 'Cruella'. Mark Carnochan reviews.
A Quiet Place Part II (2020) Review - How does 2021 John Krasinski film 'A Quiet Place Part II' fair amongst the best and worst sequels in cinema history? Mark Carnochan reviews.
Enfant Terrible (2021) Review - Cult filmmaker Rainer Werner Fassbinder of the German New Wave is the subject of Oskar Roehler's Cannes entry 'Enfant Terrible'. Kieran Judge reviews.
Wings (1927) Review - 'Wings' (1927) is, for better or for worse, the first ever winner of the Academy Award for Best Picture. Close to 100 years later, its issues and triumphs are more evident than ever. Review by Kieran Judge.
News of the World (2021) Review - 'News of the World' (2021), from Bourne Series director Paul Greengrass and starring Tom Hanks, nominated for 4 Oscars including cinematography, is "two hours well spent", but little more. Kieran Judge reviews.
Love and Monsters (2020) Review - 'Love and Monsters', a new creature feature by director Michael Matthews and starring Dylan O'Brien, is an inventive little adventure movie. Scott Z Walkinshaw reviews.
Crip Camp (2020) Review - Nominated for Documentary Feature at the 2021 Oscars, "Crip Camp is an essential story of liberty and spirit against impossible odds". James Lebrecht and Nicole Newnham direct, Sam Sewell-Peterson reviews.
Burrow (2020) Short Film Review - Madeline Sharafian's 'Burrow', the Pixar SparkShorts entry into the 2021 Oscars Animated Short category, is a nursery rhyme relevant to our times. Joseph Wade reviews.
My Octopus Teacher (2020) Review - 'My Octopus Teacher', the wildlife documentary phenomenon that has earned a nomination at the 2021 Oscars, isn't quite the runaway success of other documentaries in its genre. Katie Doyle reviews.