Nosferatu (2024) Review-Robert Eggers' take on the masterful German Expressionist film 'Nosferatu' is an auteur work to meet and exceed expectations of cinephiles. Review by Jacob Davis.
Babygirl (2024) Review-Halina Reijn follows up 'Bodies Bodies Bodies' with an erotic thriller to indicate the future of the sub-genre, 'Babygirl' (2024), starring Nicole Kidman. Review by Margaret Roarty.
Sonic the Hedgehog 3 (2024) Review-Jeff Fowler's 'Sonic the Hedgehog 3' (2024), from SEGA Original Films, is far from deep or meaningful but is still a good time at the movies with plenty of laughs. Review by Joseph Wade.
Wallace and Gromit: Vengeance Most Fowl (2024) Review-Aardman Animation's 2024 Wallace and Gromit film 'Vengeance Most Fowl' is a massively entertaining, frenetic, off-the-wall ride for the whole family. Review by Kieran Judge.
Queer (2024) Review-'Queer' (2024), the Luca Guadagnino film adaptation of William S. Burroughs' work starring Daniel Craig, is an important and unflinchingly queer film. Review by Jacob Davis.
The Lord of the Rings: The War of the Rohirrim (2024) Review-As pleasing as it is to return to Rohan for anime Tolkien adaptation 'The Lord of the Rings: The War of the Rohirrim, the film does feel less than essential. Review by Sam Sewell-Peterson.
Y2K (2024) Review-SNL alum Kyle Mooney directs and co-writes alternative history teen comedy 'Y2K', an enjoyable but unbalanced and forgettable film starring Jaeden Martell, Rachel Zegler. Review by Margaret Roarty.
Conclave (2024) Review-Everything about Edward Berger's Catholic thriller 'Conclave' (2024) is stellar, including the career-high lead performance of Ralph Fiennes. Review by Kieran Judge.
Spellbound (2024) Review-Skydance Animation's sophomore release 'Spellbound' (2024), on Netflix, features some all-time great animated movie voices and is brilliantly creative. Review by Joseph Wade.
The Piano Lesson (2024) Review-Michael Washington's feature directorial debut 'The Piano Lesson' (2024) is a family affair starring John David Washington, that doesn't reach the heights it promises. Review by Martha Lane.