What Novelists Are For: ‘Atonement’ at 15
Joe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read MoreJoe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read More‘The Son’ (2022), starring Hugh Jackman and Laura Dern, sees sophomore director Florian Zeller attempting to recapture the magic of his debut ‘The Father’. Review by Jake Gill.
Read MoreSteven Spielberg’s ‘Schindler’s List’ and Quentin Tarantino’s ‘Inglourious Basterds’ prove that populist approaches can deal with horrific events with subtlety and introspection. Essay by Robert Mitchell.
Read More‘She Said’ (2022), Maria Schrader’s empowering take on the uncovering of the Harvey Weinstein scandal starring Carey Mulligan, Zoe Kazan, is testament to the impact of female solidarity. Review by Gala Woolley.
Read MoreCurtis Hanson’s all-star crime drama ‘L.A. Confidential’ is 25, and it remains a concise analysis and presentation of masculinity. One that hit Craig Gent in a particularly personal way.
Read MoreMichael Keaton gives an iconic performance at the head of a brilliant ensemble cast in Tim Burton’s macabre Halloween movie ‘Beetlejuice’ (1988). Review by Elisabetta Pulcini.
Read MoreCharles Laughton’s 1965 horror film ‘The Night of the Hunter’ presents Robert Mitchum’s preacher as a man who “manipulates people through their religious beliefs”. Essay by Nicole Sanacore.
Read More‘Rosaline’, a 2022 Karen Maine film adaptation of “When You Were Mine” by Rebecca Searle, based on characters from “Romeo & Juliet” is a fun, easy watch. Review by Rehana Nurmahi.
Read More‘Train to Busan’, the South Korean zombie horror film set largely on a moving train, from director Yeon Sang-ho and starring Gong Yoo, is a must-watch. Review by Kae M.
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