M. Night Shyamalan Directed Movies Ranked

M. Night Shyamalan Directed Movies Ranked

Every theatrically released feature film directed by filmmaker M. Night Shyamalan ranked from worst to best, including The Sixth Sense, Unbreakable, Split and Old. Article by Joseph Wade.

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10 Best Studio Ghibli Films

10 Best Studio Ghibli Films

Studio Ghibli is the most recognisable and acclaimed producer of Japanese anime feature films in the world. Here are the 10 Best Studio Ghibli Films. List by Sam Sewell-Peterson.

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Zack Snyder Movies Ranked

Zack Snyder Movies Ranked

All 10 Zack Snyder feature length films, from ‘Dawn of the Dead’ and ‘300’ to ‘Batman v Superman’ and ‘Zack Snyder’s Justice League’ ranked from worst to best by Joseph Wade.

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22 World Class Football Movies

22 World Class Football Movies

A football pitch’s worth of world class football movies from around the globe, including stars like Maradona, Pelé, Messi and Ronaldo (both of them). List by Joseph Wade.

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Where to Start with Pedro Almodóvar

Where to Start with Pedro Almodóvar

Get started with the filmography of an icon of European cinema and arguably one of the most influential Spanish filmmakers of the past half century, Pedro Almodóvar. Article by Sam Sewell-Peterson.

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Saw Movies Ranked

Saw Movies Ranked

All 9 ‘Saw’ movies, from Saw (2004) to Spiral (2021), Ranked from worst to best. Which is the best Saw horror movie? Article by Sam Sewell-Peterson.

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Prone to Bouts of Mania, Narcissism and Power Failure: Watching High-Rise and Snowpiercer in 2021

Prone to Bouts of Mania, Narcissism and Power Failure: Watching High-Rise and Snowpiercer in 2021

With hindsight and terrifying changes in the real world, Ben Wheatley’s ‘High-Rise’ and Bong Joon-ho’s ‘Snowpiercer’ have been given new power and relevance as socially conscious art. Essay by Sam Sewell-Peterson.

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Conjuring Nonsense: Devils Didn’t Make Him Do It

Conjuring Nonsense: Devils Didn’t Make Him Do It

The third ‘Conjuring’ film reinforces the dangerous myth that the supernatural is somehow responsible for the heinous crimes of humanity, and it’s a problem as big as cinema itself. Essay from Jacob Davis.

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