“By locating the figure of the (European) vampire in a Mexican setting, these films express an anxiety about outsiders, immigrants and colonisers.” – The Golden Age of Mexican Horror by Paul A J Lewis.
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How Christopher Nolan hit ‘Inception’ “mark[ed] the turning of the tide – planting the idea of the more intelligent blockbuster”. Article by Aaron Bayne.
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Terry Gilliam’s time travelling romp, ‘Time Bandits’ (1981), remains an example of his unique blend of humour and darkness. The first of Gilliam’s Trilogy of Imagination reviewed by Christopher Connor.
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Michael Keaton, who played Batman in 1989’s ‘Batman’ and 1992’s ‘Batman Returns’, could be set to return to the role as a key figure in new DC/Warner Bros movie ‘The Flash’. Full news story by George Taylor.
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‘You Have to Accept It’: Fate and Power in Fernando di Leo’s Milano calibro 9 (Calibre 9, 1972). Review by Paul A J Lewis.
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How the music composed by Jonny Greenwood for ‘You Were Never Really Here’ borrows from Aphex Twin to create a dialogue between character and narrative. Essay by Cole Clark.
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How Anthony Minghella’s ‘The Talented Mr. Ripley’ borrows from Hitchcock and Film Noir to create a phenomenal and tense final sequence. Analysis by Sophie Cook.
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How Sofia Coppola crafted one of the most intimate and realistic depictions of romance in her boundary shattering 2003 film ‘Lost In Translation’. Article by Sophia Mae Patfield.
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