Jojo Rabbit (2019) Review
A satire from ‘Thor: Ragnarok’ director Taika Waititi that, even when examining Nazis, proves “love will always win over hate in the end” according to Bradley Weir in his review of ‘Jojo Rabbit’ (2019).
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The Aeronauts (2019) Review
Tom Harper film ‘The Aeronauts’ (2019) starring Eddie Redmayne and Felicity Jones “transforms reality into something poetic and magical that demands to be seen on the biggest screen possible”, according to Holly Weaver in her review.
Read MoreWaves (2019) Review
Trey Edward Shults’ ‘Waves’ (2019) starring Kelvin Harrison Jr. and Taylor Russell “is a cautionary tale about lack of communication” with strong, potentially award earning performances. Pagan Carruthers reviews.
Read MoreHoney Boy (2019) Review
“A moving reflection, perhaps even an exorcism” from the pen of Shia LaBeouf, directed by Alma Har’el and starring Lucas Hedges – our review from Pagan Carruthers.
Read More5 of the Best Character Introductions in Movie History
Top 10 UK Box Office Movies of 2019 (So Far)
Which of this year’s spate of high budget, massively popular releases have broken into the UK’s top 10 box office hits of 2019? Josh Greally of Big Picture Film Club takes a look.
Read MoreThe Lion King (2019) Review
“While The Jungle Book enhanced the magic of its predecessor, The Lion King did the opposite.” Samuel Sybert reviews ‘The Lion King’ (2019).
Read MoreMidsommar (2019) Review
“With Midsommar, Aster has scored again, topping his first film with a truly horrific nightmare drenched in sunlight.” Samuel Sybert reviews ‘Midsommar’ starring Florence Pugh.
Read MoreIt Just Might be His Masterpiece: Revisiting Tarantino’s ‘Inglourious Basterds’ Ten Years Later
Will Quentin Tarantino ever top ‘Pulp Fiction’? Maybe he already has. Samuel Sybert breaks down the artistry behind the iconic director’s ‘Inglourious Basterds’.
Read MoreA Clockwork Orange In Retrospect – Its Themes, Its Reception and Kubrick’s Directorial Masterclass
‘A Clockwork Orange’, the controversial 1971 release from directorial master Stanley Kubrick, has been analysed by Lucas Hill-Paul regarding its themes, reception and delivery in this exclusive retrospective.
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