‘Interview with the Vampire’ (1994), from director Neil Jordan and writer Anne Rice, remains a milestone in queer cinema and marks a shift in vampire portrayals. Review by Margaret Roarty.
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The iconic female protagonist steals the show in ‘True Romance’ (1993), the movie about two lovers on the run written by Quentin Tarantino and directed by Tony Scott. Review by Gala Woolley.
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Babylon (2022), the latest from La La Land’s Damien Chazelle, is a reflective piece on cinema’s celebrated silent era and the myth of Hollywood’s studio system. Review by Joseph Wade.
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Steven Spielberg’s ‘Schindler’s List’ and Quentin Tarantino’s ‘Inglourious Basterds’ prove that populist approaches can deal with horrific events with subtlety and introspection. Essay by Robert Mitchell.
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Brad Pitt leads an ensemble of star names in ‘Bullet Train’, from ‘Deadpool 2’ director David Leitch, that features plenty of shiny neon-soaked fight scenes but little by way of character. Kieran Judge reviews.
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How the ending to Ridley Scott’s ‘Thelma & Louise’ (1991) is one of the most iconic and powerful in all of cinema, and how it can be interpreted. Essay by Gala Woolley.
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The world's 2nd largest cinema chain, Cineworld, have announced that