‘C’è Ancora Domani’, Neorealism, and the Right to Vote
Paola Cortellesi’s directorial debut ‘C’è Ancora Domani’ reimagines ideas of Italian Neorealism to tell of contemporary struggles through a historical lens. Essay by Jenson Davenport.
Read MorePaola Cortellesi’s directorial debut ‘C’è Ancora Domani’ reimagines ideas of Italian Neorealism to tell of contemporary struggles through a historical lens. Essay by Jenson Davenport.
Read MoreIntroducing the Sour Sweetheart, a new film character archetype to add to the ranks of the Femme Fatale and the Final Girl. She’s got a diary and a gun. Essay by Jessica Grassano.
Read MoreStanley Kubrick’s final film, ‘Eyes Wide Shut’, isn’t about sex. It’s about Christmas. Of all the Christmas movies, it may be the most cynical. Essay by Declan O’Reilly.
Read MoreBy reflecting elements of South Korean action cinema, ‘Monkey Man’ distinguishes itself from the formulaic patterns of contemporary Hollywood revenge narratives. Essay by Jake Fittipaldi.
Read MoreTragedy seems to be a genre which no longer holds much weight in cinema. Why is this? Ceridwen Millington outlines in this cinephilic essay.
Read More“For me, diagnosis meant freedom… celebration… life.” Bella Madge chronicles her journey through film to self-acceptance and understanding in this Autistic Pride piece.
Read MoreWim Wenders’ 2023 film ‘Anselm’, made in collaboration with Neue Wilde contemporary artist Anselm Kiefer, merges the experiences of museums and cinema. Article by Joanna Seifter.
Read MoreLegendary filmmaker John Cassavetes was an emblem of cinema’s independent spirit. Here’s how he became a production pioneer. Article by Leah McDonald.
Read MoreHow Von Erich family wrestling movie ‘The Iron Claw’ is about the ideas of American folklore, the constructs of myth cultivated in the USA over centuries. Essay by Matthew Peyton.
Read More‘Shaft’ (1971) sparks discourse and debate, and challenges prevailing norms, unveiling the cultural revolution of Blaxploitation cinema. Essay by Juahl Ganaway.
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