Dumb Money (2023) Review

Dumb Money (2023) Review

Craig Gillespie presents a thoughtful take the real-life story of how GameStop stock upended Wall Street in ‘Dumb Money’, starring Paul Dano. Review by Rob Jones.

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Love at First Sight (2023) Review

Love at First Sight (2023) Review

On the shoulders of its two stars Haley Lu Richardson and Ben Hardy, Netflix Original rom-com ‘Love at First Sight’ is great for a cosy movie night. Review by Rehana Nurmahi.

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Elevator Game (2023) Review

Elevator Game (2023) Review

‘Elevator Game’ (2023), the elevator horror film from Rebekah McKendry, is ‘Cube’ meets ‘Candyman’, but an insult to both. Review by Kieran Judge.

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Bolan’s Shoes (2023) Review

Bolan’s Shoes (2023) Review

Timothy Spall and Leanne Best star in ‘Bolan’s Shoes’, a film that may disappoint you if a Marc Bolan T Rex film is what you’re expecting. Review by John McDonald.

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El Conde (2023) Review

El Conde (2023) Review

Pablo Larraín, the director behind ‘No’ (2012), ‘Jackie’ (2016) and ‘Spencer’ (2021), directs a historical satire imagining Chilean Dictator Augusto Pinochet as a vampire. Review by Martha Lane.

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A Haunting in Venice (2023) Review

A Haunting in Venice (2023) Review

The third film in Kenneth Branagh’s Poirot series takes a huge step away from Agatha Christie’s source material for this horror film lacking the novel’s magic. Review by Kieran Judge.

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Scrapper (2023) Review

Scrapper (2023) Review

Charlotte Regan’s debut feature ‘Scrapper’ (2023), starring Lola Campbell and Harris Dickinson, is a worthwhile take on a story that isn’t often told. Review by Rob Jones.

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Cobweb (2023) Review

Cobweb (2023) Review

Samuel Bodin horror ‘Cobweb’ (2023) is a daring push at formula, a film ever-so-close to being one of cinema’s surprises of the year. Stars Lizzy Caplan. Review by Kieran Judge.

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Fremont (2023) EIFF Review

Fremont (2023) EIFF Review

Babak Jalali’s ‘Fremont’ (2023), about an Afghan woman living in the United States, won’t be a film for everyone but has a charm that is difficult to resist. Review by Mark Carnochan.

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