Wish (2023) Review
Disney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
Read MoreDisney’s 100th birthday release ‘Wish’ is a disingenuous, one dimensional, form of corporate self-fellatio that is insufferable to watch. Ariana DeBose and Chris Pine star. Review by Mark Carnochan.
Read MoreRidley Scott reunites with ‘Gladiator’ star Joaquin Phoenix for historical epic ‘Napoleon’, a film about Napoleon Bonaparte’s conquests that had a lot of potential. Review by Joseph Wade.
Read MoreFor the most part, Eli Roth’s slasher horror ‘Thanksgiving’ (2023) does exactly what it says it’s going to. It gives a good, bloody slasher flick. Review by Kieran Judge.
Read More‘Dashing Through the Snow’ (2023), Disney’s direct-to-streaming Christmas offering from Tim Story starring Chris ‘Ludacris’ Bridges, is a one-watch-and-done festive adventure. Review by Martha Lane.
Read MoreChristian Cooke’s 2023 feature ‘Embers’ breaks down our understanding of therapy and mental illness, achieving a short, sharp shock that lingers in the mind. Review by Kieran Judge.
Read MoreEmerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
Read MoreKristoffer Borgli’s ‘Dream Scenario’ (2023) seems like a dream scenario for star Nicolas Cage, and is an effortlessly watchable and compelling film in its own right. Review by Rob Jones.
Read MoreEmma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
Read MoreDavid Fincher offers one of 2023’s best films in ‘The Killer’ starring Michael Fassbender, a thriller that deserves to survive the plight of the Netflix algorithm. Review by Mark Carnochan.
Read MoreMolly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.
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