Anora (2024) Review
‘Anora’, from filmmaker Sean Baker, won the Palme d’Or at Cannes in 2024, and thanks to a powerful lead performance and open-minded approach, should be considered important. Review by Clotilde Chinnici.
Read More‘Anora’, from filmmaker Sean Baker, won the Palme d’Or at Cannes in 2024, and thanks to a powerful lead performance and open-minded approach, should be considered important. Review by Clotilde Chinnici.
Read MoreWim Wenders directs Cannes Best Actor winner Koji Yakuso in ‘Perfect Days’ (2023), a philosophical celebration of the everyman. Review by Gala Woolley.
Read MoreJustine Triet’s Oscar-nominated, Cannes Palme d’Or winner ‘Anatomy of a Fall’ features one of the great performances of 2023 from Sandra Hüller as a woman on trial for murder. Review by Joseph Wade.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreShelley Duvall had a silver screen career defined by her unforgettable portrayals. Here are Shelley Duvall’s 3 Career-Defining Performances. Article by Holly Carter.
Read MoreJonathan Glazer is set to release his first film since 2013 at the 2023 Cannes International Film Festival. Full line-up of competition films and premieres here.
Read MoreRiley Keough and Gina Gammell direct a slow rumination on the aimless lives of two Native Americans in their Cannes and GFF entry ‘War Pony’. Review by Mark Carnochan.
Read MoreControversial Pakistan film ‘Joyland’, from debut writer-director Saim Sadiq, starring Ali Junejo and Alina Khan, will leave you with a new perspective on life. Review by Rob Jones.
Read MorePark Ji-min embodies someone trying to find their place in the world in Davy Chou’s tale of lost identity, ‘Return to Seoul’ (2022). Review by Jake Gill.
Read MoreChris Evans will join Emily Blunt on the cast of upcoming Netflix film ‘Pain Hustlers’ from ‘Harry Potter’ and ‘Fantastic Beasts’ director David Yates. Report by Joseph Wade.
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