Cowboys (2021) Review – GFF
Anna Kerrigan writes and directs Steve Zahn and Jillian Bell in the Tribeca award winning family drama ‘Cowboys’, about a trans boy and his family relationships. Jack Cameron reviews.
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Voice of Silence (2021) Review – GFF
Screenwriter-director Hong Eui-jeong announces himself as a talent to look out for in the future in his feature debut ‘Voice of Silence’, an off-kilter South Korean film starring ‘Burning’ actor Yoo Ah-in. Jack Cameron reviews.
Read MoreSweetheart (2021) Review – GFF
Marley Morrison British seaside holiday film ‘Sweetheart’, featuring the debuting Nell Barlow, is a nuanced exploration of sexuality and a modern twist in the realm of British film. Leoni Horton reviews.
Read MoreEnemies of the State (2020) Review
Is Matt DeHart a liberating whistleblower in possession of incriminating evidence against the US government or just trying to escape prosecution for heinous crimes? ‘Enemies of the State’ explores, Jack Cameron reviews.
Read MorePoly Styrene: I Am a Cliché (2021) Review – GFF
Marianne Elliott-Said, aka punk pioneer Poly Styrene of the X-Ray Spex, is the subject of her daughter’s documentary ‘Poly Styrene: I Am a Cliché’ (2021), reviewed from Glasgow Film Festival by Leoni Horton.
Read MoreCreation Stories (2021) Review – GFF
Directed by Nick Moran, Creation Stories – about music studio founder Alan McGee – is a mildly offensive, egotistical mess, and we can only hope Liam and Noel Gallagher never see this film. Leoni Horton reviews.
Read MoreJumbo (2021) Review – GFF
Starring Portrait of a Lady on Fire’s Noémie Merlant, ‘Jumbo’ is a surefooted yet strangely erotic adrenaline ride through the wildest depths of sexual fantasy. Leoni Horton reviews.
Read MoreMinari (2021) Review – GFF
Lee Isaac Chung’s semi-autobiographical Sundance home run manages to be “both quietly poignant and thunderously profound”. Leoni Horton reviews from Glasgow Film Festival.
Read MoreOur Ladies (2020) GFF Review
Directed by Michael Caton-Jones, ‘Our Ladies’ is a ‘wildly entertaining riot of a movie’. Click to read Sophie Butcher’s review in full.
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