Cineworld Announce Cinema Closures
The world’s 2nd largest cinema chain, Cineworld, have announced that they are set to close a significant number of their UK cinemas. Report by Clotilde Chinnici.
Read MoreThe world’s 2nd largest cinema chain, Cineworld, have announced that they are set to close a significant number of their UK cinemas. Report by Clotilde Chinnici.
Read MoreSocial realist filmmaker Ken Loach turns to comedy for his 2009 football-adjacent film ‘Looking for Eric’, a memorable version of a recognisable story starring Eric Cantona. Review by Martha Lane.
Read MoreAlex Ayre’s NORTH Wrestling documentary ‘Watch the Lights’ (2024), about NORTH’s journey to its biggest ever show, captures a special feeling. It belongs on your watchlist. Review by Joseph Wade.
Read More‘All of Us Strangers’ (2023) is leaving viewers in floods of tears, Andrew Haigh and actors Andrew Scott and Paul Mescal offering a devastating new love story. Review by Mark Carnochan.
Read MoreA silent era pioneer and perhaps the most influential person in Hollywood history, Charlie Chaplin’s legacy is forever. Here’s where to start with his cinema. Article by Joseph Wade.
Read More‘One Life’ (2023), the James Hawes BBC film starring Anthony Hopkins as “The British Schindler” Nicholas Winton, doesn’t hit every mark but does strike a powerful chord. Review by Kieran Judge.
Read MoreEmerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
Read MoreMolly Manning Walker’s ‘How to Have Sex’ (2023), winner of the Un Certain Regard prize at Cannes, is a film about sex and consent thankfully absent of the male gaze. Review by Gala Woolley.
Read MoreBarry Hines and Mick Jackson constructed a straight-to-television film that depicted the horrors of nuclear annihilation in a terrifying, realistic and lasting manner. Essay by Eleanor Wise.
Read MoreCharlotte Regan’s debut feature ‘Scrapper’ (2023), starring Lola Campbell and Harris Dickinson, is a worthwhile take on a story that isn’t often told. Review by Rob Jones.
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