How ‘Threads’ Remains Frighteningly Relevant 40 Years On

How ‘Threads’ Remains Frighteningly Relevant 40 Years On

Barry Hines and Mick Jackson constructed a straight-to-television film that depicted the horrors of nuclear annihilation in a terrifying, realistic and lasting manner. Essay by Eleanor Wise.

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Clio Barnard Films Ranked

Clio Barnard Films Ranked

Bradfordian filmmaker Clio Barnard’s four films ranked from worst to best, including Andrea Dunbar documentary ‘The Arbor’ and 2022 release ‘Ali & Ava’. List by Sam Sewell-Peterson.

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The Full Monty (1997) Review

The Full Monty (1997) Review

A BAFTA and Oscar winner, ‘The Full Monty’ is “not just a northern comedy about men who take their clothes off”. Robert Carlyle and Mark Addy star in Peter Cattaneo’s South Yorkshire classic. Annice White reviews.

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Wuthering Heights Films Ranked

Wuthering Heights Films Ranked

The 4 English language feature film adaptations of Emily Brontë’s “Wuthering Heights” ranked worst to best in terms of artistic merit, and critical/popular reception, by Annice White.

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My Summer of Love (2004) Review

My Summer of Love (2004) Review

The English language debut of auteur Pawel Pawlikowski, 2004’s ‘My Summer of Love’ starring a young Emily Blunt, “feels like a look back into the spring of a great career”. Joseph Wade reviews.

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An American Werewolf In London – Unfinished Game-Changing Fun

An American Werewolf In London – Unfinished Game-Changing Fun

Roger Ebert once described horror-comedy ‘An American Werewolf in London’ (1981), from director John Landis, as “unfinished”. Sarah Williams looks at how this unfinished movie changed the game by making horror fun.

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Rita, Sue and Bob Too (1987) Review

Rita, Sue and Bob Too (1987) Review

Tagged as “Thatcher’s Britain with her knickers down”, Alan Clarke’s film adaptation of Andrea Dunbar’s famous stage play, ‘Rita, Sue and Bob Too’ (1987) is a Yorkshire classic. Annice White reviews.

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Kes (1969) Review

Kes (1969) Review

“Kes (1969) is one of the premiere British films ever made. A bold, critical, moving masterpiece from one of the true masters of the form.” Joseph Wade’s review of Ken Loach film ‘Kes’.

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