What Novelists Are For: ‘Atonement’ at 15
Joe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read MoreJoe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read MoreCurtis Hanson’s all-star crime drama ‘L.A. Confidential’ is 25, and it remains a concise analysis and presentation of masculinity. One that hit Craig Gent in a particularly personal way.
Read More10 years on from the release of David Wain’s cult comedy ‘Wanderlust’, starring Paul Rudd and Jennifer Aniston, its ‘Bizarro Cut’ remains transparent about the comedy process. Essay by Nicholas Armstrong.
Read MoreGregory La Cava comedy ‘My Man Godfrey’ (1936), starring William Powell and Carole Lombard, could teach modern Hollywood some lessons, even at 85 years old. Retrospective essay by Sloan De Forest.
Read MoreStan Laurel and Oliver Hardy were beloved by legions of fans and described by legends of comedy as the very best around. What makes Stan and Ollie such an enduring act? Louis B Scheuer explores.
Read MoreMuch maligned by audiences, critics and even the director himself, David Lynch’s 1984 Hollywood adaptation of Frank Herbert’s iconic novel ‘Dune’ remains deserving of cult status. Louis B Scheuer explores why.
Read MoreHow in trying to avoid taking pointers from ‘The Wicker Man’, Ari Aster made the closest thing to it, ‘Midsommar’, and how both films use the same wisdom to terrify all of us. Article by Louis B Scheuer.
Read MoreRequiem for an American Dream – how Darren Aronofsky’s ‘Requiem for a Dream’ (2000) is about more than just drugs, it’s about commodification, capitalism and modernity. Article by Kristina Murkett.
Read More