‘Blade’ at 25 – Review
25 years on from revolutionary comic book film ‘Blade’ starring Wesley Snipes, it has become clearer how this film changed the blockbuster landscape. Review by Sam Sewell-Peterson.
Read More25 years on from revolutionary comic book film ‘Blade’ starring Wesley Snipes, it has become clearer how this film changed the blockbuster landscape. Review by Sam Sewell-Peterson.
Read MoreThe first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.
Read MoreStill relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
Read More‘The Bling Ring’ at 10. Sofia Coppola made a timely commentary on celebrity culture and social media that remains relevant today. Stars Emma Watson. Review by Grace Laidler.
Read MoreJeff Nichols’ ‘Mud’ at 10 – atmospheric, touching, well-written and well-acted. Matthew McConaughey stars in what remains a remarkable film. Review by Martha Lane.
Read MoreFifteen years on from Tim Burton’s film adaptation of Stephen Sondheim’s ‘Sweeney Todd: The Demon Barber of Fleet Street’, the tale still makes for a powerful film. Review by Emily Nighman.
Read MoreEven under the thumb of Disney rule and the passing of its creator, The Muppets produced a Christmas classic in ‘The Muppet Christmas Carol’ (1992). Review by Katie Doyle.
Read MoreJoe Wright’s Oscar-winning period drama ‘Atonement’ is 15, and it remains an affecting film about stories and the very act of filmmaking. Essay by Margaret Roarty.
Read More10 years on from the release of David Wain’s cult comedy ‘Wanderlust’, starring Paul Rudd and Jennifer Aniston, its ‘Bizarro Cut’ remains transparent about the comedy process. Essay by Nicholas Armstrong.
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