The five nominees for the 2019 Oscar for Animated Feature are summarised and analysed by Rebecca Seghini in this, the Animation Race 2019.
Read MoreThe Animation Race 2019
The Oscars
The Five Most Idiotic Oscar Snubs 2019
The Oscars seem to have got a lot wrong in 2019, from hosts to broadcasting. In this list, we celebrate 5 of their most overlooked in this: the 5 most idiotic Oscar snubs 2019.
Read MoreShoplifters (2018) Review
Hirokazu Koreeda’s Oscar-nominated Foreign Language film ‘Shoplifters’ is “humanist poetry on film”. Review by Sam Sewell-Peterson.
Read MoreCan You Ever Forgive Me? (2018/19) Review
Marielle Heller’s ‘Can You Ever Forgive Me?’ starring Oscar nominated Melissa McCarthy and Richard E. Grant “should have been nominated for Best Picture”. Sam Sewell-Peterson’s review.
Read MoreBlackKklansman (2018) Review
Nominated for Best Picture at the Oscars, Spike Lee’s ‘BlackKklansman’ is “the film America needs right now”. Sam Sewell-Peterson’s review.
Read MoreBlack Panther (2018) Review
Nominated for 7 Oscars including Best Picture, Ryan Coogler’s ‘Black Panther’ as reviewed by Sam Sewell-Peterson.
Read MoreGreen Book’s Verdant Views on Race Allow Inherent Contradiction
Jacob Davis goes to task on one of this Oscars season’s most divisive and controversial films, questioning the morals and ethics of Peter Farrelly’s ‘Green Book’.
Read MoreAnimal Behaviour (2018) Oscar Nominated Short Film Review
2019 Oscar nominated short film animation ‘Animal Behaviour’ from David Fine and Alison Snowden of Snowden Fine Animation, is “a brilliantly funny piece of cinema” according to Joseph Wade’s review.
Read MoreWeekends (2017) Oscar Nominated Short Film Review
Nominated for a Short Animation Oscar in 2019, the Trevor Jimenez directed ‘Weekends’ (2017) is “an experience in artistry” according to Joseph Wade in his review.
Read MoreOne Small Step (2018) Oscar Nominated Short Film Review
2019 Oscar nominated short film ‘One Small Step’, from Taiko Studios and screenwriter-directors Andrew Chesworth and Bobby Pontillas, is evidence that silent cinema can still be bone-chillingly heartbreaking according to Joseph Wade’s review.
Read More