The Fine Art of Black Comedy or Why It’s OK to Laugh When We Shouldn’t
Using three examples by filmmakers from three different continents, Sam Sewell-Peterson analyses the cathartic nature of Black Comedy in this special feature.
Read MoreUsing three examples by filmmakers from three different continents, Sam Sewell-Peterson analyses the cathartic nature of Black Comedy in this special feature.
Read More“A Green Book Oscars win is the cinematic equivalent of burying one’s head in the sand” writes Jacob Davis of its Oscars 2019 Best Picture win in this special opinion piece.
Read MoreThe five nominees for the 2019 Oscar for Animated Feature are summarised and analysed by Rebecca Seghini in this, the Animation Race 2019.
Read MoreThe Oscars seem to have got a lot wrong in 2019, from hosts to broadcasting. In this list, we celebrate 5 of their most overlooked in this: the 5 most idiotic Oscar snubs 2019.
Read MoreHirokazu Koreeda’s Oscar-nominated Foreign Language film ‘Shoplifters’ is “humanist poetry on film”. Review by Sam Sewell-Peterson.
Read MoreMarielle Heller’s ‘Can You Ever Forgive Me?’ starring Oscar nominated Melissa McCarthy and Richard E. Grant “should have been nominated for Best Picture”. Sam Sewell-Peterson’s review.
Read MoreNominated for Best Picture at the Oscars, Spike Lee’s ‘BlackKklansman’ is “the film America needs right now”. Sam Sewell-Peterson’s review.
Read MoreNominated for 7 Oscars including Best Picture, Ryan Coogler’s ‘Black Panther’ as reviewed by Sam Sewell-Peterson.
Read MoreJacob Davis goes to task on one of this Oscars season’s most divisive and controversial films, questioning the morals and ethics of Peter Farrelly’s ‘Green Book’.
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