The Martha Mitchell Effect (2022) Short Film Review

The Martha Mitchell Effect (2022) Short Film Review

Have you ever heard of the Martha Mitchell Effect? You probably should have. Diane Alvergue and Debra McClutchy tell the story behind the term. Review by Joseph Wade.

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Haulout (2022) Short Film Review

Haulout (2022) Short Film Review

‘Haulout’, the short film about a unique natural event, must be seen as the extraordinary documentary of the Oscars’ Documentary Short Subject category in 2023. Review by Joseph Wade.

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Long Live My Happy Head (2022) Review – BFI Flare

Long Live My Happy Head (2022) Review – BFI Flare

‘Long Live My Happy Head’ (2022) is a wonderful new documentary from Will Hewitt and Austen McCowan exploring impending death through art. Review by Sam Sewell-Peterson.

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Flee (2022) Review

Flee (2022) Review

Riz Ahmed and Nikolaj Coster-Waldau bring ‘Flee’ to the big screen, an animated docudrama about an Afghan asylum seeker that is nominated for 3 Oscars. Review by Joseph Wade.

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10 Best Films 2021: Annice White

10 Best Films 2021: Annice White

In a 2021 film calendar filled with delayed releases from years gone by and dominated by big-budget blockbusters, Annice White highlights the 10 Best Films 2021.

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Delphine’s Prayers (2021) Open City Documentary Festival Review

Delphine’s Prayers (2021) Open City Documentary Festival Review

‘Delphine’s Prayers’ (2021), from well regarded documentarian Rosine Mbakam, serves as a memoir by its subject, a Belgian immigrant with a traumatic, perspective-shifting story. Sam Sewell-Peterson reviews.

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Songs for the River (2021) Open City Documentary Festival Review

Songs for the River (2021) Open City Documentary Festival Review

Charlotte Ginsborg coronavirus pandemic documentary ‘Songs for the River’ highlights social and political issues from the perspective of a small London community. Sam Sewell-Peterson reviews.

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Juste un mouvement (2021) Open City Documentary Festival Review

Juste un mouvement (2021) Open City Documentary Festival Review

Inspired by the work of Jean-Luc Godard, Vincent Meessen’s ‘Juste un mouvement’ (2021) documentary on Senegalese left-wing revolutionary Omar Blondin Diop, review. By Sam Sewell-Peterson.

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