The Zone of Interest (2023) Review
Are you sitting comfortably? Jonathan Glazer’s Auschwitz film ‘The Zone of Interest’ (2023) is cold, horrifying cinema; a movie of the decade. Review by Joseph Wade.
Read MoreAre you sitting comfortably? Jonathan Glazer’s Auschwitz film ‘The Zone of Interest’ (2023) is cold, horrifying cinema; a movie of the decade. Review by Joseph Wade.
Read MoreRaine Allen-Miller’s BAFTA-nominated British romcom ‘Rye Lane’ is as busy and vibrant as London itself, ‘Love Actually’ in Peckham. Review by Rob Jones.
Read MoreJustine Triet’s Oscar-nominated, Cannes Palme d’Or winner ‘Anatomy of a Fall’ features one of the great performances of 2023 from Sandra Hüller as a woman on trial for murder. Review by Joseph Wade.
Read More‘All of Us Strangers’ (2023) is leaving viewers in floods of tears, Andrew Haigh and actors Andrew Scott and Paul Mescal offering a devastating new love story. Review by Mark Carnochan.
Read MorePaul Giamatti, Da’Vine Joy Randolph and Dominic Sessa anchor Alexander Payne’s human drama ‘The Holdovers’, a multi-time Oscar nominee in 2024. Review by Sam Sewell-Peterson.
Read MoreBradley Cooper stars in and directs ‘Maestro’, a biopic on “West Side Story” composer Leonard Bernstein that is long overdue but served well. Review by Rob Jones.
Read MoreTimothée Chalamet might be the only saving grace of Paul King’s barely passable ‘Willy Wonka and the Chocolate Factory’ prequel ‘Wonka’ (2023). Review by Margaret Roarty.
Read MoreRidley Scott reunites with ‘Gladiator’ star Joaquin Phoenix for historical epic ‘Napoleon’, a film about Napoleon Bonaparte’s conquests that had a lot of potential. Review by Joseph Wade.
Read MoreEmerald Fennell has done it again. ‘Saltburn’ (2023) is like a Shakespearean episode of ‘Skins’ with a dash of ‘Succession’, and Barry Keoghan offers a special performance. Review by Mark Carnochan.
Read MoreEmma Stone stars as Bella, a remarkable creation formed by the hands of Willem Dafoe’s Doctor, in Yorgos Lanthimos’ most laugh-out-loud funny movie to date. Review by Sam Sewell-Peterson.
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