Blonde (2022) Review

Blonde (2022) Review

Ana de Armas gives the performance of a lifetime as Marilyn Monroe in Andrew Dominik’s Netflix biopic ‘Blonde’ (2022), a film that wastes her potential. Review by Kieran Judge.

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Don’t Worry Darling (2022) Review

Don’t Worry Darling (2022) Review

Behind the scenes controversy surrounds the release of Olivia Wilde’s ‘Don’t Worry Darling’ (2022) starring Florence Pugh, Harry Styles, a film that squanders its potential. Review by Kieran Judge.

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Bodies Bodies Bodies (2022) Review

Bodies Bodies Bodies (2022) Review

Halina Reijn makes a name for herself amongst the horror-comedy fanbase with ‘Bodies Bodies Bodies’ (2022), a pointed and funny Gen Z fable. Review by Morgan Barr.

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Pinocchio (2022) Review

Pinocchio (2022) Review

Robert Zemeckis (‘Back to the Future’, ‘Forrest Gump’) reimagines classic Walt Disney Animation ‘Pinocchio’ in CG/live-action for Disney Plus. Review by Sam Sewell-Peterson.

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After Yang (2022) Review

After Yang (2022) Review

Kogonada takes inspiration from Hirokazu Koreeda for his “exceptionally beautiful” 2022 film ‘After Yang’ starring Colin Farrell as the father of a young robot. Review by Mark Carnochan.

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Return to Seoul (2022) Review

Return to Seoul (2022) Review

Park Ji-min embodies someone trying to find their place in the world in Davy Chou’s tale of lost identity, ‘Return to Seoul’ (2022). Review by Jake Gill.

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Winners (2022) EIFF Review

Winners (2022) EIFF Review

A young boy seeks to return an Oscar statue to its rightful owner in the UK-financed, Iran-set ‘Winners’ (2022) from director Hassan Nazer. Mark Carnochan reviews.

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Axiom (2022) EIFF Review

Axiom (2022) EIFF Review

Upcoming Swedish director Jöns Jönsson proves he’s a filmmaker to keep your eye on with the subtle but interesting ‘Axiom’ (2022) starring Moritz von Treuenfels. Review by Mark Carnochan.

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Sick of Myself (2022) Review

Sick of Myself (2022) Review

Kristine Kujath Thorp is Signe, arguably the worst person in the world, in Kristoffer Borgli’s satire of culture’s glorification of victim mentality, ‘Sick of Myself’ (2022). Review by Jake Gill.

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Official Competition (2021) EIFF Review

Official Competition (2021) EIFF Review

Penélope Cruz, Antonio Banderas and Oscar Martínez star as three filmmakers in ‘Official Competition’, an hilarious satire on the film industry. Review by Mark Carnochan.

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