Trailblazing Oscars Best Picture winner ‘In the Heat of the Night’ (1967) starring Sidney Poitier feels tame by today’s standards, but still shines a spotlight on inequality. Review by Martha Lane.
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Dean Fleischer Camp and Jenny Slate enchant with their lovable stop-motion animation ‘Marcel the Shell with Shoes On’, one of the most human experiences of recent times. Review by John McDonald.
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The Sea Beast, the classic combination of adventure, humour, a smart-alec kid, a reluctant adult, animal sidekick and a heart-warming lesson to learn. Review by Martha Lane.
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Darren Aronofsky adapts Samuel D. Hunter’s stage play in an attempt to speak to the truths in each of us, Brendan Fraser a charismatic and empathetic lead. Review by Katie Doyle.
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Babylon (2022), the latest from La La Land’s Damien Chazelle, is a reflective piece on cinema’s celebrated silent era and the myth of Hollywood’s studio system. Review by Joseph Wade.
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‘Guillermo del Toro’s Pinocchio’ (2022) is a vivid and hard-hitting reimagining of a classic story, presented in stop-motion animation for Netflix. Review by Sam Sewell-Peterson.
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Ryan Coogler’s ‘Black Panther’ Marvel sequel ‘Black Panther: Wakanda Forever’ makes a heartfelt connection and delivers memorable action. Review by Sam Sewell-Peterson.
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Ana de Armas gives the performance of a lifetime as Marilyn Monroe in Andrew Dominik’s Netflix biopic ‘Blonde’ (2022), a film that wastes her potential. Review by Kieran Judge.
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Paul Mescal stars as a dad managing anger issues in father-daughter relationship drama ‘Aftersun’ (2022), from screenwriter-director Charlotte Wells. Mark Carnochan reviews from EIFF.
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Pixar’s 2022 Disney Plus animated film ‘Turning Red’, a “passionate and personal work” from ‘Bao’ director Domee Shi, has “big emotional beats in abundance”. Review by Sam Sewell-Peterson.
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The world's 2nd largest cinema chain, Cineworld, have announced that