Ma Rainey’s Black Bottom (2020) Review
Chadwick Boseman and Viola Davis excel in 2020 Netflix stage drama adaptation ‘Ma Rainey’s Black Bottom’. Full film review by Charlie Gardiner.
Read MoreChadwick Boseman and Viola Davis excel in 2020 Netflix stage drama adaptation ‘Ma Rainey’s Black Bottom’. Full film review by Charlie Gardiner.
Read MoreChristmas rom-com ‘Happiest Season’ (2020), from director Clea DuVall and starring Kristen Stewart, Mackenzie Davis and Aubrey Plaza, “is not the LGBT holiday film we were promised”. Annice White reviews.
Read MoreDavid Fincher adapts his father’s script for 2020 Netflix Original film ‘Mank’, about Herman J Mankiewicz, the screenwriter behind ‘Citizen Kane’, played here by Gary Oldman. Sam Sewell-Peterson reviews.
Read More‘Peninsula’, otherwise known as ‘Train to Busan: Peninsula’ (2020) is a zombie-action follow up is an unevenly paced, derivative ‘Train to Busan’ sequel. Sam Sewell-Peterson reviews.
Read MoreWritten and directed by Alan Ball (‘American Beauty’), and starring Paul Bettany, 2020 drama ‘Uncle Frank’ struggles to be genuine in its portrayal of the hardships of the LGBTQ+ community. Leoni Horton reviews.
Read MoreRon Howard directed Netflix drama ‘Hillbilly Elegy’ is certified Oscar bait, but does it do enough to garner awards season recognition? Amy Adams and Glenn Close star, Mark Carnochan reviews.
Read MoreIt’s Netflix Christmas with the 2nd instalment of ‘The Princess Switch’, ‘The Princess Switch: Switched Again’ starring Vanessa Hudgens, Vanessa Hudgens and… Vanessa Hudgens. Jacob Davis reviews.
Read More‘Dolly Parton’s Christmas on the Square’, released on Netflix in 2020, has cheese and festivities galore but lacks any form of quality. Charlie Gardiner reviews.
Read MoreShirley Jackson biopic ‘Shirley’ (2020) starring Elisabeth Moss and Michael Stuhlbarg is “a hypnotic albeit challenging tapestry of a character piece”. Sam Sewell-Peterson reviews.
Read MoreSofia Coppola comedy-drama ‘On the Rocks’ (2020), available on Apple TV+ and starring Bill Murray and Rashida Jones, reviewed by Christopher Connor.
Read More