Roger Ebert once described horror-comedy ‘An American Werewolf in London’ (1981), from director John Landis, as “unfinished”. Sarah Williams looks at how this unfinished movie changed the game by making horror fun.
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New Blumhouse fantasy-thriller-horror ‘Fantasy Island’ (2020) might be worth a watch if you’re a fan of Lucy Hale, but it won’t thrill fans of the genre quite like a ‘Get Out’. Sophie Cook reviews.
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This is not your great-grandfather’s ‘Invisible Man’, this is Blumhouse and writer-director Leigh Whannell (‘Upgrade’) making the horror film we need right now. Sam Sewell-Peterson reviews.
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“Huh?” seems to be the only response you’ll have. Mackenzie Davis, Finn Wolfhard and Brooklyn Prince star in ‘The Turning’, a 2020 horror from Floria Sigismondi, reviewed by Jacob Davis.
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Bong Joon-ho’s Cannes Film Festival Palme d’Or winning thriller ‘Parasite’ is the latest film to prove that genre filmmaking is back. Jacob Davis reviews.
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“if you like really weird things that go all-in on the weirdness, ‘The Cell’ (2000) is worth a watch” according to Jacob Davis in his review of the Jennifer Lopez, Vince Vaughn and Vincent D’Onofrio starring film.
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How A24 have managed to tap into the zeitgeist with recent releases ‘The Witch’ and ‘Hereditary’ to offer horrors that do more than make you jump out of your skin. Article by Beth Sawdon.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'