Barbie (2023) Review
It’s easy to fall in love with ‘Barbie’ (2023) starring Margot Robbie because director Greta Gerwig speaks a universal truth about growing up and so much more. Review by Margaret Roarty.
Read MoreIt’s easy to fall in love with ‘Barbie’ (2023) starring Margot Robbie because director Greta Gerwig speaks a universal truth about growing up and so much more. Review by Margaret Roarty.
Read More‘Oppenheimer’ (2023) offers a depth of undertaking incomparable in the contemporary space, Christopher Nolan presenting an imperfect but important film. Review by Joseph Wade.
Read MoreMolly Gordon and Nick Lieberman comedy Theater Camp (2023) is a funny and poignant film about the inner workings of theater nerds. Review by Emi Grant.
Read More‘Quicksand’, the 2023 Shudder horror film set in the rainforest of Colombia, has a few rare and fleeting moments but is absent of creativity or enjoyment. Review by Kieran Judge.
Read MoreAdam DeVine and Pierce Brosnan star in the latest Happy Madison Productions film for Netflix, ‘The Out-Laws’ (2023), a forgettable low-stakes comedy. Review by Rob Jones.
Read MorePatrick Wilson takes a huge step behind the camera as he directs ‘Insidious: The Red Door’ (2023), a horror film full of anxiety, apprehension and fear. Review by Jacob Davis.
Read MoreSome will say that Indiana Jones belongs in the past. That he’s too old. That the ideas are overplayed. ‘Indiana Jones and the Dial of Destiny’ (2023) proves those people wrong. Review by Joseph Wade.
Read MoreStill relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.
Read MoreJennifer Lawrence is the key to the good-natured albeit raunchy 2023 comedy ‘No Hard Feelings’, from ‘Good Boys’ director Gene Stupnitsky. Review by John McDonald.
Read More‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.
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