Barbie (2023) Review

Barbie (2023) Review

It’s easy to fall in love with ‘Barbie’ (2023) starring Margot Robbie because director Greta Gerwig speaks a universal truth about growing up and so much more. Review by Margaret Roarty.

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Oppenheimer (2023) Review

Oppenheimer (2023) Review

‘Oppenheimer’ (2023) offers a depth of undertaking incomparable in the contemporary space, Christopher Nolan presenting an imperfect but important film. Review by Joseph Wade.

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Quicksand (2023) Review

Quicksand (2023) Review

‘Quicksand’, the 2023 Shudder horror film set in the rainforest of Colombia, has a few rare and fleeting moments but is absent of creativity or enjoyment. Review by Kieran Judge.

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The Out-Laws (2023) Review

The Out-Laws (2023) Review

Adam DeVine and Pierce Brosnan star in the latest Happy Madison Productions film for Netflix, ‘The Out-Laws’ (2023), a forgettable low-stakes comedy. Review by Rob Jones.

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Insidious: The Red Door (2023) Review

Insidious: The Red Door (2023) Review

Patrick Wilson takes a huge step behind the camera as he directs ‘Insidious: The Red Door’ (2023), a horror film full of anxiety, apprehension and fear. Review by Jacob Davis.

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Indiana Jones and the Dial of Destiny (2023) Review

Indiana Jones and the Dial of Destiny (2023) Review

Some will say that Indiana Jones belongs in the past. That he’s too old. That the ideas are overplayed. ‘Indiana Jones and the Dial of Destiny’ (2023) proves those people wrong. Review by Joseph Wade.

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‘WALL-E’ at 15 – Review

‘WALL-E’ at 15 – Review

Still relevant 15 years after it was released, Pixar’s ‘WALL-E’ (2008) is a moral tale but isn’t saccharine or preachy, a film brimming with expressive animation. Review by Martha Lane.

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No Hard Feelings (2023) Review

No Hard Feelings (2023) Review

Jennifer Lawrence is the key to the good-natured albeit raunchy 2023 comedy ‘No Hard Feelings’, from ‘Good Boys’ director Gene Stupnitsky. Review by John McDonald.

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‘Sleepless in Seattle’ at 30 – Review

‘Sleepless in Seattle’ at 30 – Review

‘Sleepless in Seattle’ has endured as a top tier romantic comedy that could turn even the most steadfast cynic into a believer in love, fate, and the magic of the movies. Review by Margaret Roarty.

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