Extraction 2 (2023) Review
Compared to other Netflix Original films, ‘Extraction 2’ (2023) starring Chris Hemsworth, is a gem. The kind of spectacle Netflix should shoot for. Review by Jacob Davis.
Read MoreCompared to other Netflix Original films, ‘Extraction 2’ (2023) starring Chris Hemsworth, is a gem. The kind of spectacle Netflix should shoot for. Review by Jacob Davis.
Read MoreThough not one of Pixar’s best films in their beloved canon, Elemental is a heartwarming rom-com with masterful animations that is worth a watch this summer. Review by Emily Nighman.
Read MoreDCEU entry ‘The Flash’ (2023), from Andy Muschietti and starring Ezra Miller and Michael Keaton, is a touching story about loss with adrenaline-fueled highs. Review by Rob Jones.
Read More‘The Bling Ring’ at 10. Sofia Coppola made a timely commentary on celebrity culture and social media that remains relevant today. Stars Emma Watson. Review by Grace Laidler.
Read MoreJalmari Helander tells a bloody tale for the sake of a bloody tale in the visually arresting Finnish action-western ‘Sisu’ (2023) starring Jorma Tommila. Review by Kieran Judge.
Read MoreRob Savage’s ‘The Boogeyman’, an adaptation of Stephen King’s short story, slots right into the established zeitgeist but makes no attempts to shake up a well-worn path. Review by Kieran Judge.
Read MoreSony Pictures Animation are rewriting the rule book in ‘Spider-Man: Across the Spider-Verse’ (2023), a ginormous swing at something special. Spider-Man doesn’t get better than this.
Read MoreHalle Bailey’s vocal performance is the only highlight of a pale imitation of a much better movie. Disney and Rob Marshall’s ‘The Little Mermaid’ (2023) review by Margaret Roarty.
Read MoreGreta Gerwig co-writes and stars in ‘Frances Ha’, from ‘Marriage Story’ director Noah Baumbach, a poignant watch for anyone undergoing construction in their life. Review by Emi Grant.
Read MoreChie Hayakawa’s ‘Plan 75’ asks what Japan might do when its population becomes too old to sustain itself, borrowing from ‘Children of Men’ in its presentation of the near future. Review by Rob Jones.
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