Madame Web (2024) Review
Sony Spider-Man spin-off ‘Madame Web’, directed by S.J. Clarkson and starring Dakota Johnson, is messy but consistently entertaining. Review by Sam Sewell-Peterson.
Read MoreSony Spider-Man spin-off ‘Madame Web’, directed by S.J. Clarkson and starring Dakota Johnson, is messy but consistently entertaining. Review by Sam Sewell-Peterson.
Read MoreTrailblazing Oscars Best Picture winner ‘In the Heat of the Night’ (1967) starring Sidney Poitier feels tame by today’s standards, but still shines a spotlight on inequality. Review by Martha Lane.
Read More‘One Flew Over the Cuckoo’s Nest’ (1975), from director Miloš Forman and starring Jack Nicholson and Louise Fletcher, won the Big Five Oscars. It is immortal. Review by Kieran Judge.
Read MoreBAFTA-nominated documentary ‘STILL: A Michael J. Fox Movie’ (2023) is the story of the ‘Back to the Future’ star’s life in his own words. A film that provides some life lessons. Review by Rob Jones.
Read MoreJames Cameron’s blockbuster romance ‘Titanic’ (1997) was a cultural phenomenon and impossible to ignore, and remains a testament to what movies can do: make us feel. Review by Margaret Roarty.
Read MoreWriter-director Sean Durkin presents the tragic true story of the Von Erich professional wrestling family that is guaranteed to make you cry. Zac Efron stars. Review by Joseph Wade.
Read MoreWim Wenders directs Cannes Best Actor winner Koji Yakuso in ‘Perfect Days’ (2023), a philosophical celebration of the everyman. Review by Gala Woolley.
Read MoreThe imagery, style, and performances work in concert to great effect in Martin Scorsese’s ‘Raging Bull’ (1980), assuredly one of the director’s best films. Review by Jacob Davis.
Read More‘Society of the Snow’ (2023), the Oscar-nominated Netflix Original from J.A. Bayona based on a true story of survival, is an unforgettable film about humanity. Review by Kyra Lieberman.
Read MoreIt’s still OK to laugh at Mel Brooks’ Western spoof comedy ‘Blazing Saddles’ starring Cleavon Little and Gene Wilder, even 50 years on from its release. Review by Sam Sewell-Peterson.
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