Talk to Me (2022) Review

Talk to Me (2022) Review

Danny and Michael Philippou of popular YouTube channel RackaRacka have captured the zeitgeist of Gen Z in their supernatural horror ‘Talk to Me’ starring Sophie Wilde. Review by Mark Carnochan.

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‘The Piano’ at 30 – Review

‘The Piano’ at 30 – Review

The first film directed by a woman to win the Cannes Palme d’Or, ‘The Piano’ by Jane Campion is now 30. It is a gothic, dark tale that offers a strong female lead. Review by Margaret Roarty.

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Barbie (2023) Review

Barbie (2023) Review

It’s easy to fall in love with ‘Barbie’ (2023) starring Margot Robbie because director Greta Gerwig speaks a universal truth about growing up and so much more. Review by Margaret Roarty.

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Oppenheimer (2023) Review

Oppenheimer (2023) Review

‘Oppenheimer’ (2023) offers a depth of undertaking incomparable in the contemporary space, Christopher Nolan presenting an imperfect but important film. Review by Joseph Wade.

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Quicksand (2023) Review

Quicksand (2023) Review

‘Quicksand’, the 2023 Shudder horror film set in the rainforest of Colombia, has a few rare and fleeting moments but is absent of creativity or enjoyment. Review by Kieran Judge.

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The Out-Laws (2023) Review

The Out-Laws (2023) Review

Adam DeVine and Pierce Brosnan star in the latest Happy Madison Productions film for Netflix, ‘The Out-Laws’ (2023), a forgettable low-stakes comedy. Review by Rob Jones.

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Insidious: The Red Door (2023) Review

Insidious: The Red Door (2023) Review

Patrick Wilson takes a huge step behind the camera as he directs ‘Insidious: The Red Door’ (2023), a horror film full of anxiety, apprehension and fear. Review by Jacob Davis.

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