White Noise (2022) Review
Noah Baumbach, the filmmaker behind ‘Marriage Story’, adapts Don DeLillo’s “White Noise” into a timely and darkly funny Netflix Original film starring Adam Driver. Review by Emi Grant.
Read MoreNoah Baumbach, the filmmaker behind ‘Marriage Story’, adapts Don DeLillo’s “White Noise” into a timely and darkly funny Netflix Original film starring Adam Driver. Review by Emi Grant.
Read MoreMark Jenkin follows his critically acclaimed feature debut ‘Bait’ with new colour horror film ‘Enys Men’ (2022), an example of his filmmaking prowess. Review by Mark Carnochan.
Read MoreAleka Cooper and James Wan follow 2021’s horror hit ‘Malignant’ with ‘M3GAN’, the latest Frankenstein-esque tale of technology gone bad. Allison Williams stars. Review by Kieran Judge.
Read MoreFifteen years on from Tim Burton’s film adaptation of Stephen Sondheim’s ‘Sweeney Todd: The Demon Barber of Fleet Street’, the tale still makes for a powerful film. Review by Emily Nighman.
Read MoreJames Cameron’s sequel thirteen years in the making, ‘Avatar: The Way of Water’ (2022), looks “absolutely gorgeous” but lacks the originality of the first ‘Avatar’. Review by Kieran Judge.
Read MoreCinema and Social Justice Project short film ‘Cost of Living’ (2022) is an emotive contextualisation of our contemporary struggle through archive footage. Review by Joseph Wade.
Read More‘Guillermo del Toro’s Pinocchio’ (2022) is a vivid and hard-hitting reimagining of a classic story, presented in stop-motion animation for Netflix. Review by Sam Sewell-Peterson.
Read MoreEven under the thumb of Disney rule and the passing of its creator, The Muppets produced a Christmas classic in ‘The Muppet Christmas Carol’ (1992). Review by Katie Doyle.
Read MoreIs Robert Zemeckis’s 2004 ‘The Polar Express’, starring Tom Hanks and Daryl Sabara, an uncanny valley nightmare or a Christmas classic? Review by Emily Nighman.
Read MoreTo David Harbour’s rendition of Santa Claus in the delightfully subversive ‘Violent Night’ (2022), Christmas is about “getting violently drunk and kicking ass”. Review by Emi Grant.
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