The Bob’s Burgers Movie (2022) Review
Animated sitcom ‘Bob’s Burgers’ transitions from television to cinema with the feel-good and family-friendly ‘The Bob’s Burgers Movie’ (2022). Review by Jacob Davis.
Read MoreAnimated sitcom ‘Bob’s Burgers’ transitions from television to cinema with the feel-good and family-friendly ‘The Bob’s Burgers Movie’ (2022). Review by Jacob Davis.
Read MoreJoseph Kosinski directs Tom Cruise in ‘Top Gun: Maverick’ (2022). “Do you remember how movies used to feel when you were a kid? This is it.” Review by Joseph Wade.
Read MoreDaniels’ witty and imaginative ‘Everything Everywhere All at Once’ (2022), starring Michelle Yeoh, Ke Huy Quan, will leave you breathless and in tears. Review by Sam Sewell-Peterson.
Read MoreEskil Vogt mixes Stephen King with ‘Let the Right One In’ for 2022 Norwegian art-house film ‘The Innocents’, a relatable, “quiet, creeping, and always charged” horror. Review by Kieran Judge.
Read MoreZac Efron stars in Blumhouse’s 2022 Stephen King adaptation ‘Firestarter’, but uninspired filmmaking makes for a bland and derivative experience. Review by Kieran Judge.
Read MoreJan Kounen’s ‘Dobermann’ (1997), starring Vincent Cassel, marks 25 years on the big screen. It is ‘enjoyable with vulgar stylings’ worthy of the international cult spotlight. Review by Jacob Davis.
Read MoreOmar Sy, Laurent Lafitte return for Netflix’s ‘The Takedown’ (2022), a forgettable buddy cop film from ‘The Incredible Hulk’, ‘Now You See Me’ director Louis Leterrier. Review by Kieran Judge.
Read MoreSam Raimi takes the reins of ‘Doctor Strange in the Multiverse of Madness’, a sentimental and flashy Marvel movie filled with fan service. Benedict Cumberbatch and Elizabeth Olsen star. Sam Sewell-Peterson reviews.
Read MoreTwenty years on from the release of the tenth ‘Friday the 13th’ movie, ‘Jason X’, this shameless space slasher should at least be saluted for playing into its tropes. Kieran Judge reviews.
Read More10 years on from the UK release of ‘The Cabin in the Woods’ (2011/12), Drew Goddard and Joss Whedon’s self-aware horror doesn’t hit like it used to. Review by Sam Sewell-Peterson.
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