review

Where the Crawdads Sing (2022) Review

Posted on July 24, 2022July 25, 2022 by Kieran Judge

Daisy Edgar-Jones stars in Olivia Newman’s sloppily-directed feature adaptation of Delia Owens’ ‘Where the Crawdads Sing’ (2022). Review by Kieran Judge.

Thor: Love and Thunder (2022) Review

Posted on July 11, 2022 by Sam Sewell-Peterson

Thor returns in Marvel’s ‘Thor: Love and Thunder’ (2022), an inconsistent MCU entry that makes the most of Natalie Portman and Christian Bale but doesn’t do justice to its hero. Review by Sam Sewell-Peterson.

Elvis (2022) Review

Posted on July 4, 2022July 5, 2022 by Sam Sewell-Peterson

Elvis Presley biopic ‘Elvis’ (2022), starring Austin Butler and Tom Hanks, may be famed director Baz Luhrmann’s magnum opus. Fans are in for a treat. Review by Sam Sewell-Peterson.

‘Blade Runner’ at 40 – Review

Posted on June 25, 2022June 25, 2022 by Kieran Judge

40 years removed from the release of Ridley Scott’s Philip K. Dick adaptation, starring Harrison Ford, ‘Blade Runner’ (1982) has lost none of its potency. Review by Kieran Judge.

Spiderhead (2022) Review

Posted on June 18, 2022June 20, 2022 by Joseph Wade

Joseph Kosinski’s Netflix Original ‘Spiderhead’ (2022), starring Chris Hemsworth and Miles Teller, is a film with so much unrealised potential. Review by Joseph Wade.

‘Minority Report’ at 20 – Review

Posted on June 18, 2022June 18, 2022 by Sam Sewell-Peterson

Twenty years on from the release of Steven Spielberg sci-fi ‘Minority Report’, starring Tom Cruise, it remains one of the great contemplative mysteries on film. Review by Sam Sewell-Peterson.

Jurassic World Dominion (2022) Review

Posted on June 9, 2022June 12, 2022 by Joseph Wade

Laura Dern, Sam Neill and Jeff Golblum return in the 3rd ‘Jurassic World’ film ‘Jurassic World Dominion’, a modern tentpole blockbuster heavy on nostalgia. Review by Joseph Wade.

One Fine Morning (2022) Review

Posted on June 6, 2022June 8, 2022 by Guest

Mia Hansen-Løve’s Cannes Film Festival entry ‘One Fine Morning’ starring Léa Seydoux as a single parent navigating Parisian life, depicts a bittersweet transitional period. Gala Woolley reviews.

Men (2022) Review

Posted on June 3, 2022June 3, 2022 by Kieran Judge

‘Men’ (2022), the new film from ‘Ex Machina’ and ‘Annihilation’ director Alex Garland, is either a godsend or a void of nothingness, but never clear. Review by Kieran Judge.

Ex Machina (2014) Review

Posted on June 1, 2022 by Sam Sewell-Peterson

Alex Garland’s directorial debut ‘Ex Machina’ (2014) is a film that becomes richer and more enthralling upon multiple viewings and through intense debate. Review by Sam Sewell-Peterson.

« 1 … 25 26 27 28 29 … 84 »