2022 Reading List – The Film Magazine

2022 Reading List – The Film Magazine

An eclectic and diverse reading list of exceptional articles published by The Film Magazine in 2022 as selected by editor-in-chief Joseph Wade.

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10 Highest-Scoring Films 2022 – The Film Magazine

10 Highest-Scoring Films 2022 – The Film Magazine

The 2022 movies that have earned the highest-scoring reviews from The Film Magazine’s team of film writers and established contributors.

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The Closure of Edinburgh Filmhouse, Edinburgh International Film Festival: What It Means to Me

The Closure of Edinburgh Filmhouse, Edinburgh International Film Festival: What It Means to Me

The instant closures of Edinburgh Filmhouse and Edinburgh International Film Festival will have profound effects on wider culture, as explained in this personal essay from Mark Carnochan.

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Suspiria (2018) Review

Suspiria (2018) Review

Luca Guadagnino’s 2018 ‘Suspiria’ film places a new focus on the story first told on screen by Dario Argento in 1977. Film stars Dakota Johnson, Tilda Swinton. Review by Mark Carnochan.

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After Yang (2022) Review

After Yang (2022) Review

Kogonada takes inspiration from Hirokazu Koreeda for his “exceptionally beautiful” 2022 film ‘After Yang’ starring Colin Farrell as the father of a young robot. Review by Mark Carnochan.

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The Forgiven (2021) Review

The Forgiven (2021) Review

John Michael McDonagh returns to form with ‘The Forgiven’ starring Ralph Fiennes and Jessica Chastain, an upper class couple who accidentally kill a Moroccan boy. Review by Mark Carnochan.

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Winners (2022) EIFF Review

Winners (2022) EIFF Review

A young boy seeks to return an Oscar statue to its rightful owner in the UK-financed, Iran-set ‘Winners’ (2022) from director Hassan Nazer. Mark Carnochan reviews.

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Full Time (2021) EIFF Review

Full Time (2021) EIFF Review

Eric Gravel directs Laure Calamy in ‘Full Time’ – picture the Safdie Brothers directing a film about a single mother. Review by Mark Carnochan.

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Axiom (2022) EIFF Review

Axiom (2022) EIFF Review

Upcoming Swedish director Jöns Jönsson proves he’s a filmmaker to keep your eye on with the subtle but interesting ‘Axiom’ (2022) starring Moritz von Treuenfels. Review by Mark Carnochan.

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