The instant closures of Edinburgh Filmhouse and Edinburgh International Film Festival will have profound effects on wider culture, as explained in this personal essay from Mark Carnochan.
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The Centre for the Moving Image (CMI), the charity that runs Edinburgh and Aberdeen Filmhouse, as well as the Edinburgh International Film Festival, has ceased trading. Report by Mark Carnochan.
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Kogonada takes inspiration from Hirokazu Koreeda for his “exceptionally beautiful” 2022 film ‘After Yang’ starring Colin Farrell as the father of a young robot. Review by Mark Carnochan.
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A young boy seeks to return an Oscar statue to its rightful owner in the UK-financed, Iran-set ‘Winners’ (2022) from director Hassan Nazer. Mark Carnochan reviews.
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Eric Gravel directs Laure Calamy in ‘Full Time’ – picture the Safdie Brothers directing a film about a single mother. Review by Mark Carnochan.
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Upcoming Swedish director Jöns Jönsson proves he’s a filmmaker to keep your eye on with the subtle but interesting ‘Axiom’ (2022) starring Moritz von Treuenfels. Review by Mark Carnochan.
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Penélope Cruz, Antonio Banderas and Oscar Martínez star as three filmmakers in ‘Official Competition’, an hilarious satire on the film industry. Review by Mark Carnochan.
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Infamous director Peter Strickland follows his divisive ‘In Fabric’ with 2022’s ‘Flux Gourmet’ starring Asa Butterfield and Gwendoline Christie, a repetitive and messy satire. Review by Mark Carnochan.
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‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
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Phil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
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Austin Butler is to lead a new film from Sony Pictures and 'Powers'