The Road Dance (2021) EIFF Review
‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
Read More‘The Road Dance’, from filmmaker Richie Adams and adapted from the book by John MacKay, returns Scottish cinema to its roots, though makes for a frustrating experience. Mark Carnochan reviews.
Read MorePhil Tippett, the man behind visual effects on the likes of ‘Jurassic Park’, directs stop motion animation ‘Mad God’, nightmare fuel 30 years in the making. Mark Carnochan reviews.
Read MoreSparks and Leos Carax combine for the unique and interesting movie musical ‘Annette’, starring Adam Driver and Marion Cotillard. Mark Carnochan reviews.
Read More‘Mandibles’ (2020/21), the latest film from French director Quentin Dupieux and starring Adèle Exarchopoulos, is a significant drop in quality from ‘Deerskin’. Mark Carnochan reviews.
Read MoreBolly Crystal writes, directs and co-stars with Tiffany Haddish in ‘Here Today’ (2021), a film that survives on the charisma and chemistry of its leading duo. Mark Carnochan reviews.
Read More‘Censor’, the debut movie of Welsh filmmaker Prano Bailey-Bond, is a horror film set within the era of so-called “video nasties”, a “captivating and original story”. Mark Carnochan reviews.
Read MoreNicolas Cage offers one of the performances of his career in ‘Pig’, a debut film from Michael Sarnoski that defies all expectations. Mark Carnochan reviews.
Read MoreSelf-confessed music fanboy Edgar Wright makes for the perfect director of Sparks music documentary ‘The Sparks Brothers’ (2021), about Ron and Russell Mael aka The Sparks Brothers. Review by Mark Carnochan.
Read MoreScarlett Johansson’s Natasha Romanoff finally gets her standalone Marvel Cinematic Universe movie in ‘Black Widow’, from director Cate Shortland. Review by Mark Carnochan.
Read More‘Freaky’ (2021), from ‘Happy Death Day’ director Christopher Landon, and starring Kathryn Newton and Vince Vaughn, “is insanely fun”. Mark Carnochan reviews.
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