jessie buckley
Women Talking (2022) Review
Sarah Polley’s Oscar-nominated ‘Women Talking’ (2022) starring Rooney Mara, Claire Foy and Jessie Buckley, is an empathetic conversation about sexual assault and community. Review by Emi Grant.
Read MoreMaking Sense of Alex Garland’s ‘Men’
Understanding the filmmaking intent of Alex Garland: an analysis of Garland’s philosophy and use of iconography in his 2022 feature film ‘Men’. Essay by A. D. Jameson.
Read MoreMen (2022) Review
‘Men’ (2022), the new film from ‘Ex Machina’ and ‘Annihilation’ director Alex Garland, is either a godsend or a void of nothingness, but never clear. Review by Kieran Judge.
Read More94th Academy Awards – 2022 Oscars Winners
‘CODA’ and director Jane Campion make history at the 94th Academy Awards, 2022 Oscars, but Will Smith grabs headlines, winning Best Actor but also assaulting a presenter. Full results and report by Joseph Wade.
Read MoreI’m Thinking of Ending Things (2020) Review
‘I’m Thinking of Ending Things’, the 2020 Netflix film starring Jessie Buckley and Jesse Plemons, from the mind of ‘Synecdoche, New York’ filmmaker Charlie Kaufman, reviewed by Joseph Wade.
Read MoreJudy (2019) Review
“A biopic of the year”, Rupert Goold’s Judy Garland movie ‘Judy’, starring Renée Zellweger as icon of the stage and screen Judy Garland, is “simply spectacular”. Francesca Militello reviews.
Read MoreMisbehaviour (2020) Review
‘Misbehaviour’ (2020) from director Philippa Lowthorpe and starring Keira Knightley, Jessie Buckley and Gugu Mbatha-Raw, is not without its issues but “a charming, heartwarming and funny film about feminism” nonetheless. Annice White reviews.
Read MoreBatman Casts Two Stars, New Michael Keaton Action Film, Another Scream Movie, More
All of the week’s top movie news stories upto 10th November 2019 in one easy-to-read place, including a new ‘Scream’ movie, details of the latest Michael Keaton project, ‘The Batman’ updates and more.
Read MoreWild Rose (2019) Review
Jessie Buckley “simply owns the screen” in Tom Harper’s ‘Wild Rose’ (2019), the tale of a Glaswegian ex-con turned country singer intent on visiting Nashville. Joseph Wade’s review.
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