James Cameron’s sequel thirteen years in the making, ‘Avatar: The Way of Water’ (2022), looks “absolutely gorgeous” but lacks the originality of the first ‘Avatar’. Review by Kieran Judge.
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‘Guillermo del Toro’s Pinocchio’ (2022) is a vivid and hard-hitting reimagining of a classic story, presented in stop-motion animation for Netflix. Review by Sam Sewell-Peterson.
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Ryan Coogler’s ‘Black Panther’ Marvel sequel ‘Black Panther: Wakanda Forever’ makes a heartfelt connection and delivers memorable action. Review by Sam Sewell-Peterson.
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Director Edward Berger and Netflix present ‘All Quiet on the Western Front’ (2022), an adaptation of a powerful anti-war novel that hits like a Howitzer. Review by Sam Sewell-Peterson.
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‘The Banshees of Inisherin’ (2022), from ‘In Bruges’, ‘Three Billboards’ writer-director Martin McDonagh, is an operatic fable on masculinity starring Colin Farrell, Brendan Gleeson. Review by Joseph Wade.
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Ana de Armas gives the performance of a lifetime as Marilyn Monroe in Andrew Dominik’s Netflix biopic ‘Blonde’ (2022), a film that wastes her potential. Review by Kieran Judge.
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Paul Mescal stars as a dad managing anger issues in father-daughter relationship drama ‘Aftersun’ (2022), from screenwriter-director Charlotte Wells. Mark Carnochan reviews from EIFF.
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Elvis Presley biopic ‘Elvis’ (2022), starring Austin Butler and Tom Hanks, may be famed director Baz Luhrmann’s magnum opus. Fans are in for a treat. Review by Sam Sewell-Peterson.
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‘Top Gun: Maverick’ is the biggest hit of 2022 because it’s more than an action movie, it’s a romance flick dedicated to all the things we love, and love, and love again. Essay by Callum McGuigan.
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Joseph Kosinski directs Tom Cruise in ‘Top Gun: Maverick’ (2022). “Do you remember how movies used to feel when you were a kid? This is it.” Review by Joseph Wade.
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The world's 2nd largest cinema chain, Cineworld, have announced that